I alter a lot of men’s long sleeve button front shirts at work. We use a variety of brands, each of which usually has its own little signature detail or cut. I can often tell what designer brand a shirt is without having to look at the tag.
I suppose, though, that as a designer at Rag & Bone or Varvatos, or Paul Smith, or the like, you can find yourself hard pressed to come up with some new, unique detail that makes your shirt special. Contrasting fabric on collars and cuffs has been done, funky buttons have been done.
Sleeve and center front plackets in a different fabric: done. Welt breast pockets. Done. Stand collars, unfinished seams, all of it, has been done. At times, I think there isn’t anything new left to do. I was pretty sure I’d seen it all when it came to cool, weird, and even sometimes bizarre design details on mens shirts.
Varvatos shirt showing collar stand unattached from shirt body.
But, John Varvatos proved me wrong. The newest feature on their long sleeve button front shirts is to leave the part of the collar stand that contains the button – you know, the portion that extends past the collar and is, essentially the center front overlap – unattached from the shirt body. Odd, because, if the shirt is buttoned, it really doesn’t look any different. And if the shirt isn’t buttoned, it kind of looks like a rip or tear.
Varvatos shirt with collar stand pinned and ready to sew.
I spent some time last week sewing collar stands to shirt fronts. I do, though, have to give the designers at Varvatos kudos for coming up with something I hadn’t seen before. It also ensures that, in the future when I see that particular detail, I will automatically know it’s a Varvatos shirt. So, good job on the branding. 🙂
To do list
While I’m on the subject, here’s a short list of design (or construction) element quirks that tend to be slightly annoying to film and television customers.
Rag & Bone with their painted white buttons.
Rag & Bone and their painted white buttons.
They put the same painted white buttons on most every shirt. The buttons are kind of cool in a shabby chic-look-at-me kind of way but, the last thing you want when filming are shirt buttons that upstage the person wearing the shirt.
I’ve wasted many an afternoon, replacing those buttons with normal, non-descript ones.
Brooks Brothers and the glue they insist on using in their seams.
Taking apart a Brooks Brothers shirt is no quick and easy task – the stitches are miniscule and, as if that’s no enough, they use some sort of glue in their flat felled seams.
Ralph Lauren Polo.
Ralph Lauren and the polo horse logo.
We’re rarely able to use any piece of clothing on a film or television show with an obvious logo for legal reasons. Most shows need clearance to use anything that clearly advertises a particular brand.
I can tell you that removing those cute little polo horses takes a really long time.
Any shirt that says it’s a ‘slim fit’ yet still has a back pleat.
I think I’ve written before about removing the back pleat (or pleats) in button front shirts. These are the pleats in the shirt body where it joins the yoke. They exist to add a good amount of ease to the shirt through the body. The only thing is, in the world of film and television they just end up looking bulky, a bit messy, and definitely not slimming. So I take them out. If I have the time, I usually take the entire back off and recut it, moving the armseye and side seams in the appropriate amount. If it’s a quick and dirty thing, I just throw some side back darts in and hope there isn’t a close up of the actor’s back.
That’s all I’ve got today though I’m sure there are more. I’ve got to get some sewing done now.
There’s a pile of Varvatos shirts on my table that need the collar stand stitched to the shirt body.
