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How to Sew Pocket Organizers
by Millie Green

How to Sew Pocket Organizers

Sew pocket organizers to hold all your stuff!

Pockets are not only for clothes and bags.  You can sew pocket organizers for:

  • Shoes
  • Jewelry
  • Sewing supplies
  • Knitting or crochet supplies
  • Art supplies
  • Any other kind of supplies
  • Baby gear
  • Guitar gear
  • Other kinds of gear
  • Remotes
  • Cords or cables
  • Tools
  • Toiletries
  • First aid kit
  • Other kits
  • Frequently used pattern pieces
  • Bills or mail
  • Money
  • Magazines
  • Papers
  • Games
  • Toys

Those are just quick ideas off the top of my head; the possibilities are endless.

How to sew a single hanging pocket

Anyone can sew a pocket organizer, even absolute beginner sewists.  A basic hanging pocket is just two finished  squares or rectangles, one sewn down on three sides on top of the other.

To finish the squares, you cut two identical layers and sew them around all four corners and sides with right sides together, leaving an opening for turning.

I drew this because the ink shows up better than my stitching in the photo.

I drew this because the ink shows up better than my stitching in the photo.

Clip the corners and turn right sides out. You can stick something inside to push the corners out.

Then stitch the opening closed. I usually just topstitch along that entire side. Sometimes I topstitch around all four sides.

Fold the top down an inch and a half or more towards the back and sew the edge down to form a casing for hanging. Then make a smaller finished square or rectangle pocket piece using the same directions as above.

Topstitch the pocket onto the larger panel along the sides and bottom. Don’t sew the top of the pocket closed!

I made this pocket from my leftover butterfly block to hold mail, which used to pile up in my entryway.

I made this pocket from my leftover butterfly block to hold mail, which used to pile up in my entryway.

Or cheat and use jean pockets

I did some searching to find some cute projects to recommend for you.  And I found some examples of organizers that were made by reusing jeans pockets. These save a step and so you can make these with super speed. Just be sure to use a jeans needle.

I think this one is a great idea for a closet organizer.

I think this one is a great idea for a closet organizer.

I will like to make a long double sided one of these to hang in the middle of a closet that’s shared by two boys at my house. This will solve a couple of different organizational challenges in that small closet nicely.

Here is one on a hanger that is being used for sewing supplies storage.

Here is one on a hanger that is being used for sewing supplies storage.

How to sew pocket organizers with multiple pockets

To start, make a backing panel. Cut two square or rectangular pieces to the desired size of your organizer pocket panel. Press interfacing to the wrong side of one of the two square or rectangular pieces. Then layer the two pieces right sides together and sew around, leaving an opening for turning.  Turn right side out, push the corners out well from the inside, press, and then sew closed.

To allow for hanging, you can simply fold over at the top and sew a casing, or you can make hanging loops and attach these by tucking between the two pieces when you sew them together in the steps above.

My sewing room curtain organizer panels use all of the above kinds of pockets.

My sewing room curtain organizer panels use all of the above kinds of pockets.

For the pockets, you could make several or many individual pockets in the same way as the larger backing piece and topstitch each pocket onto the backing panel separately. Or you could make long pockets the width of the backing panel. You can then topstitch to divide these long pockets into shorter sections.  You can also make your pockets slightly wider than your backing panel.  Then pleat them at the bottom and add elastic casings along the top edges, to build roomier pockets with more holding power.

My sewing room curtain organizer panels use all of the above kinds of pockets. I also stuffed a long one and sewed it closed around all sides to make a pin cushion way up high and out of the reach of grabby kids.

You can customize your pocket panels to suit your organizational challenges, no matter what they are.

Sew a money bag pocket

Maybe you’d call it a bag, but this project is simply a big pocket with a zipper at the top. You could use these as bank bags for deposits or otherwise holding cash. I made them big enough to hold multiple envelopes for monthly budgeting.

For stashing cash or other goodies.

For stashing cash or other goodies.

Or you could make these zippered pockets to hold your pencils or some other small collection.  I’m using one of mine for stashing my jewelry pliers set where no kids can reach them. Keeping my things out of the reach of children seems to be the major part of my own organizational challenges!

Favorite pocket organizers from around the web

If I haven’t given you enough inspiration to sew pocket organizers yet, check out these other ideas and tutorials that I found and collected from around the web. I will make the handy ironing board pockets right away, I can’t believe I have never thought of this simple solution before. And I think the pocketed towel will make a great gift for a sunbather I know and love.

Are the gears in your brain turning now? What problems could you solve if you sew pocket organizers to keep things in place?

Sewing in 1900: Mary Cassatt's Take
by Connie Smith

Sewing in 1900: Mary Cassatt’s Take

One of my regrets in life is that I never majored in art history. Ever since my high school humanities teacher introduced me to the world of architecture, painting, and sculpture, I’ve had a hard time shaking the interest in the subject. Sure, I majored in history, but the focus was more on rulers and wars than painters and art masterpieces. Shame, right?

Art can be a window into society that allows a distinctive look into the world it was created for, and it can be so arbitrary and open to interpretation that two people can garner two completely different meanings from the same piece. Regardless though, it’s still that window, and it’s still a peek into a time past if you look at the most historic works.

This looks familiar!

This post's painting of choice: Mary Cassatt’s Young Mother Sewing.

This post’s painting of choice: Mary Cassatt’s Young Mother Sewing.

I hadn’t realized until recently that sewing was such a theme in art from the last centuries. Apparently, painting an image of sewing — which, in itself, can be art — has been a goal in more than one artistic work. This concept intrigues me so much, guys! I’m interested in looking into these works and examining them with an artistic eye and historic mindset. What are the differences in these paintings, and what can be inferred from each concerning sewing in that historic context?

So, you might have guessed, I plan to explore some of these works on this blog! Those explorations won’t be every post since I think more of a mixture of post angles creates for a more engaging set-up, but here and there, look for a sewing-related work of art to surface — complete with analysis and description.

This post’s painting of choice: Mary Cassatt’s Young Mother Sewing

This oil on canvas painting is from 1900, and it’s a part of Cassatt’s exploration of the dynamic between women and children that reportedly began a decade before the completion of this painting. Given that the people in this painting are, in fact, a woman and a child, the connection is clear, but what does the delivery say about the circumstance and, specifically, sewing at the time?

Take a pencil & draw a triangle around the main focal point of the work. That targeted area can draw attention directly to the focal point.

Take a pencil & draw a triangle around the main focal point of the work. That targeted area can draw attention directly to the focal point.

Well, first we can identify what the focal point is for this work, and that’s obviously the woman and child — both, as if they’re actually one object and inseparable. There is literally no part of this child that exists outside of the woman’s space if you include the dress she’s wearing. Attention is drawn directly to the pair because of the composition of the work, which incorporates the pyramid look that has so often surfaced in the art world. With this approach, basically, you could take a pencil and draw a triangle around the main focal point of the work, and that targeted area can draw attention directly to the point the artist wants you to notice.

Because this painting was from a period that explores the woman-and-child relationship, there’s really no surprise in the detail that the woman and child are the focal area. In fact, the overall imagery of the woman and child dominate the painting so strongly that the detail that the woman’s sewing is almost background material within the focal pyramid.

More than meets the eye

Unbalanced section.

Unbalanced section.

So what does this background trait say about the importance of sewing in the work?

I think it shows sewing as something that was simply a part of the taking-care-of-children theme rather than something that was being done out of love for the pastime, and if you consider the balance of the painting, that theory gains merit. Everything outside of the pyramid is more or less balanced, from the trees outside to the windows, except for the fact that there’s a series of items that show up on the same side of the painting as the child. The table, vase, and flowers are variations of that balance, and they tip the importance scale more in favor of the child — which happens to be away from the sewing.

She’s tunnel-focused on that sewing project as the child leans over her & stares outward.

She’s tunnel-focused on that sewing project as the child leans over her & stares outward.

Hidden messages

Still, even if sewing is only being shown as a means to care for the child, it’s worth noting that the woman doesn’t look unhappy while sewing. Her brow isn’t crinkled in any way that shows frustration, and her lips aren’t overly drooping in a frown. Rather, she’s tunnel-focused on that sewing project as the child leans over her and stares outward. Perhaps then the sewing message to be inferred from this work is that sewing was just another piece of the puzzle, and the woman in the painting is capable of seeing to that task perfectly — and without visible frustration — while still keeping the child as the primary priority.

This would fall in line with the notion that Cassatt was exploring that woman-and-child relationship, and it’s a tactical outlook on sewing that doesn’t include any sort of negative expression from the woman. All in all, it was a part of life for the historic time frame, and the woman is committed to seeing to the task — for the sake of her child, but not with any real disgust for the job.

But, as I said, art is open to interpretation! What do you guys think can be inferred about sewing in 1900 from this painting?

by Vanessa Nirode

Stunt Doubles and Magic Gloves

Stunt Doubles and Magic Gloves

The film and television business has many safety precautions in place. Productions almost always have a Stunt Coordinator to supervise and choreograph any type of fight or daredevil action scene. Actors and actresses often have stunt doubles who will perform most of the really ‘dangerous’ bits. Big name actors usually have a regular stunt double who always works with them no matter what show or film they are on.

What this means costume-wise, is that we need to dress the double in exactly the same clothes as the actor. Many times, both the stunt and actor themselves will require multiple outfits of the same thing.

Love / hate

I have a love-hate relationship with multiples. On the one hand, it can be super boring to do the same alteration on the same pair of pants, or jacket, or whatever six to ten times. On the other hand, it can be a very zen experience: doing the same thing over and over kind of puts you into a rhythm where everything flows naturally and without much thought. I prefer to do all the multiples at one time if possible.

When I lived in Austin, TX, I worked as a set costumer on many of the films directed by Robert Rodriguez: Spy Kids, Sin City, Grindhouse. His movies are very stunt heavy which makes his sets very active and interesting. The stunt coordinator for all the films I worked on for Mr. Rodriguez was a lovely and talented man named Jeff Dashnaw. Many of the actors and stunt actors were harnessed for various scenes. A stunt harness is similar, I suppose, to a climbing harness or rig. It’s made of heavy canvas and twill and sometimes has metal jump rings to facilitate the attachment of cables.

There are different types of harnesses, depending on what sort of action is required. Some are full vests and some are just a belt and leg straps. It’s up to the stunt coordinator to determine what harness should be used and where the cables should be attached in order to create the desired effect. There’s quite a bit of physics knowledge in all of that!

What to do when things go wrong

Things can go wrong sometimes and people can be injured. Thankfully, it doesn’t happen all that often. On a show I worked on recently one of the actors tore a ligament in his hand which, in turn, resulted in him having to wear a big, rather awkward cast. The task of trying to disguise this cast fell to the costume department.

The costume designer and I had to figure out how to make a glove of some sort to cover the cast.

Tracing of hands.

Tracing of hands.

First, we traced the actor’s hand in his cast.

Make a pattern.

Make a pattern.

Next, I made a pattern of the tracing. Our idea was to use an existing glove, take it apart, stitch the fingers together (since his fingers are bound together), and add a new neoprene layer on the palm side.

Taking apart an existing glove.

Taking apart an existing glove.

This was the first result: Not too bad.

First attempt at a glove to hide the cast.

First attempt at a glove to hide the cast.

Then we decided that it might look better to have the thumb separate so I did some modifications:

Attempt 2 with separate thumb.

Attempt 2 with separate thumb.

Now, it’s a bit too small across the knuckles so I have to take the neoprene back off and recut a new, wider one, to add some width.

Being flexible is key

Projects like this are fairly normal in my sewing life. And if there’s one thing that seems to be true no matter what show I’m working on it’s that the costume department is almost always the ones tasked with finding solutions to a problem that no one else wants to deal with.

TV magic. It’s a real thing. This actually reminds me of an incident during Boardwalk Empire when I came to work one morning to find a shredded beaded dress on my table with a note that said, “Help! Please work your magic to fix this dress. It works again this evening.”

We did indeed manage to put the dress back together to get through one more night of filming but we sent it back to set with a note that read, “We are all out of magic for the week but did our best to bring this dress back from the dead. Love, The Costume Shop.”

Free Brother Sewing Projects
by Sarah Woodard

Free Brother Sewing Projects

Free Brother Sewing Projects

How cool is this? Project Runway uses Brother sewing machines to create their fabulous fashions. To celebrate, we’ve got some amazing Free Brother Sewing Projects right from Project Runway. You’ll love making them and wearing them!

Feathered Skirt

Free pencil skirt pattern by Christopher Palu.

Free pencil skirt pattern by Christopher Palu.

Christopher Palu shares his amazing feathering technique. It’s easier than you might think and makes any fabric look gorgeous. He teaches it to you in this free pencil skirt pattern. You’ll need two different fabrics, one solid and one patterned, that look well together and a zipper. Give it a shot and share a picture of your results!

Makeup Bag

Seth Aaron’s free makeup bag pattern.

Seth Aaron’s free makeup bag pattern.

No fashionista’s get up is complete without makeup and way to touch up imperfections on the go. Seth Aaron’s makeup bag pattern is the ultimate in makeup carry-alls. There’s room for all your makeup essentials inside the bag and the exterior strap holds all the brushes you’ll need to keep your face looking its best all day and night long.

Custom Laptop Case

Joshua Cook’s custom laptop case free pattern.

Joshua Cook’s custom laptop case free pattern.

In the on-the-go world we live in, most people carry their laptop with them at some point. This is simply another way to show your style. Forget those laptop cases you can buy at any retailer. Instead, create a custom laptop case with Joshua Cook’s pattern. It works up quickly in less than 20 steps.

Earrings

Anthony Auld’s free Embroidered Earrings pattern.

Anthony Auld’s free Embroidered Earrings pattern.

Yes, that’s right, you can make earrings with your Brother sewing machine. They’re a great way to practice your embroidery skills. Anthony Auld shows you how to get fashion on your ears using your Brother in this free Embroidered Earrings pattern. Make sure to share pictures of your amazing earring creations.

Whether you’re looking to practice your sewing skills or learn some new ones, these fabulous Project Runway Free sewing patterns for Brother are a great place to start. They’ll add some class and style to your wardrobe, too – you’ll feel like you just stepped off the runway!

The Deeper Side of Toy Sewing Machines
by Connie Smith

The Deeper Side of Toy Sewing Machines

I remember being a child in a store when my mom was deciding to buy another child a toy sewing machine. I was too young for it, making it what could’ve been a dangerous option for me, but that didn’t mean I wasn’t jealous of the other child who would get the sewing machine!

Fast forward a couple of decades or so, and my brother asked me if a toy sewing machine he was thinking about buying would work. My response was something like, “No, they never do.”

Toys are for kids

In a world of game systems & electronics, toy sewing machines that may or may not work are still on the shelves.

In a world of game systems & electronics, toy sewing machines that may or may not work are still on the shelves.

This might be a misconception on my end of things in assuming that toy sewing machines will be, simply put, less than adequate. In fact, one or two of them probably do at least basically stitch together the small projects they come with. But it’s led to a question in my mind that I’d like to explore for a bit. That question is why sewing continues to be an intriguing prospect as the years roll by, to the point that in a world of game systems and electronics, toy sewing machines that may or may not work are still on the shelves. Even for adults, sewing can be seen as a throwback hobby, so why is it so appealing that a younger generation would still add a sewing machine onto their lists to Santa along with the latest Wii and the most impressive riding toy on the market?

Pass it on

Here’s a pass-it-on quality that goes along with sewing.

Here’s a pass-it-on quality that goes along with sewing.

Well, for one thing, there’s a pass-it-on quality that goes along with sewing, and as children, we were kind of prone to looking at what our parents were doing for inspiration. It’s no surprise this tradition passed on to today’s world if you think about things in that context. Our great-great grandparents may have needed to create their own clothes, blankets, etc. in a world that was very different than ours, and even when society changed enough to start negating that need through things like the division of labor, there were still probably little eyes looking up at the quilters and such who continued their crafts in spite of the changes, maybe out of genuine love of the endeavors. That generation could’ve kept the tradition going for another group of young eyes to latch on to, on and up to recent times when little eyes are looking at that little sewing machine that looks so much like the one at home.

Invaluable skills

Sure, you can pay a seamstress to sew the rip in your coat’s lining, but in the long run, being able to sew that lining yourself saves money.

Sure, you can pay a seamstress to sew the rip in your coat’s lining, but in the long run, being able to sew that lining yourself saves money.

It’s also practical! No matter who you are and what you do, you’re probably going to need something mended at some point in your life. Not only does this increase the odds of those little eyes seeing sewing in action, but it provides usefulness to the hobby that makes it a logical thing to learn. Sure, you can pay a seamstress to sew the rip in your coat’s lining, but in the long run, being able to sew that lining yourself saves money. I admit that most kids probably aren’t diving into the sewing world with money in mind, but being able to contribute with such a grown-up task could be appealing to them. Don’t believe me? Try baking a cake in a room full of kids and see how many offer to help!

A family that sews together stays together

Sewing, as it happens, has the added bonus of being so convenient that I can sew & watch my superhero movies at the same time!

Sewing, as it happens, has the added bonus of being so convenient that I can sew & watch my superhero movies at the same time!

Sewing, as it happens, has the added bonus of being so convenient that I can sew and watch my superhero movies at the same time! Because of this convenience factor, it can be an endeavor that comes with good memories and feelings for children. Think about it. If I were making a rag quilt, I could sit with my nieces while a cheesy cartoon played and fray the edges for the quilt. It’s a hobby that allows time for them, and that’s a detail that a child could easily appreciate. With those kinds of good feelings and that pleasant context, picking up a sewing interest isn’t that shocking!

A generational tradition

On the flipside, parents, grandparents, aunts, uncles… We might appreciate the interest as well. Why? For one thing, it’s creative, which helps a child expand in imagination and think outside of the box. The little sewing enthusiast could construct a final product that really took time and effort, and that pride could be something that proves fulfilling enough to warm the nearby adult’s heart. Another appealing detail for the adults buying these toys and encouraging the interest is that sewing is a relatively safe activity for a child who’s reached an appropriate age. Clearly, you shouldn’t hand a three-year-old a sewing needle, but an older, more mature child would be able to dive into the hobby with little worry over injuries.

For child and parent then, this could be an easy interest to embrace! So, why was I confused about the continued existence of toy sewing machines again?!

Crazy Patch Butterfly Applique Blocks
by Millie Green

Crazy Patch Butterfly Applique Blocks

These crazy patch butterfly blocks happened by accident.

These crazy patch butterfly blocks happened by accident.

These crazy patch butterfly blocks happened by accident.

The last time I made a crazy patch quilt, I wound up with two extra blocks. I have no intention of collecting UFO blocks, but I’m not inclined to throw my handiwork away. So I stared at them a while, trying to think of something to make from these extra blocks.

Something told me to cut them into triangles, so I did, still not knowing what I’d do with them. I played with the triangle pieces for a few minutes, and this design idea came to me. I think it’s a good one.

You could make a bunch of these for a quilt, a few for a table or bed runner, feature one in a sampler quilt, or just make one for a small project.

I plan to use one of these to make an oversized pocket on a skirt. And I’ll show you what I’m going to do with the other one next week, so stay tuned.

Here are the steps to make these:

Crazy Patch Butterfly Blocks

For each block, you will need:

  • Background rectangle or square
  • Muslin square
  • Assorted small scraps

Step one: make the crazy patchwork

You could make these crazy patch butterfly blocks any size, but my examples started with a six inch square. Take your muslin square and arrange a several sided scrap somewhere near the middle of the square.  Choose another scrap with one side at least as long as one side of the first fabric, and place it right side down atop the first.  Sew along this seam, flip the second fabric down where the right side faces up, then press.  Repeat this process, gradually adding scraps, until the square is fully covered by your assorted scraps.

Then, place the block right side down on your cutting mat and use your rotary cutter and ruler to trim the fabric scrap from the edges of the muslin square.

I made one on video so you can see exactly how to do this step:

I should mention that traditional crazy patchwork also incorporates embroidery stitches over the seam lines. If you have a machine that does decorative stitching, then you can sew a line of decorative stitches along the seam after you add each new scrap to your crazy square. You don’t want to wait until the end, since these scraps go every which way.

Step two: cut triangles

Now lay the crazy patchwork square right side up on your cutting board. Use your ruler and rotary cutter to cut it in half diagonally, then move your ruler and cut diagonally the other way, to end up with four quarter square triangles. You could use scissors if you don’t have a rotary cutter, but if you want to make patchwork, you really want to get a rotary cutter and cutting mat.

Step three: appliqué

Here’s how to arrange the triangles to construct these crazy patch butterfly blocks. Place the top pair of wings with points together and the ninety degree angles at the outside bottom corners. Then angle the bottom wing pieces with the longest edges on the inside and the ninety degree angles pointing out.

Crazy patch butterfly block.

Crazy patch butterfly block.

Pin these to your backing square and appliqué using a satin stitch. I made these using a rectangular backing cut at nine and a quarter by eleven and a half inches.

If you will be using these for a small project rather than a quilt, there is an alternative way to hold your pieces in place rather than using pins. You could use double-sided fusible web. You would affix this to the back of your appliqué pieces and then remove the paper backing and affix the other side to the backing rectangle.

This makes appliqué really easy, but I don’t recommend using it for quilts, because it will be crinkly inside the appliqué. If you are making a wall quilt or other small decorative project, it is an easy choice.

Bust out the scraps

After you appliqué the crazy patch butterfly wings, then use corduroy or another scrap fabric to cut a long, tapered oval for the caterpillar body. Applique this in the middle, to cover the intersecting wings.

My son just pointed out that I forgot to add antennae to mine. If you’d like to add antennae, you can do this using hand or machine embroidery. Or you can use Debbie Mumm’s easy idea that she calls pen-stitch embroidery. That is, you can draw them with a fine tipped Sharpie or other permanent pen.

Here is one that I quilted the background using using tight free-motion quilting.

Crazy patch butterfly block quilted.

Crazy patch butterfly block quilted.

As you can see, these crazy patch butterfly blocks are super easy to make. They’d be cute on a baby, wall, or bed quilt. Or you could feature just one on an apron or skirt.

What will you make with these crazy patch butterfly blocks?

In the Wee Hours of the Morning
by Vanessa Nirode

In the Wee Hours of the Morning

I’ve always been a morning person, or rather, I’ve never really found it that difficult to get up at before the crack of dawn. I’m usually not ready to actually talk to anyone until after the sun is up but, I actually really like the quiet pre-dawn hours, especially in a big city, like New York.

The bars here close at 4:00 am so the hours between four and six are the transition between last night and this morning; people who work in bars are on their way home (as well as those who were just out drinking) while another whole group of people are on their way to work. The streets are relatively quiet without much traffic – a true rarity in New York City. Cycling through the early morning streets always feels like a special, secret thing. The cabs that are out and about rarely honk this early and we share the roads without incident.

Top of the morning

A lot happens in the city between the hours of 4:00 am and 7:00 am. I’m not the only one out. Central Park is already humming starting at 5:00 am with runners, walkers, cyclists, and dogs. The street vendors are up and opening up their carts. Most bodegas are open already (many of them stay open all night). On the weekends, there are bike races and running races (the NYC half marathon was yesterday) and, all about the city, especially if its Monday morning, film and television crews are going to work, or are already at work.

If you want to work in film and television, you have to be able to get up early. And I mean early, like before 5:00 am, and, if you’re in the wardrobe of hair and makeup departments, often before 4:00 am. It’s not unusual for the costume and wardrobe departments to have to be at work by 5:30am, or 5:00 am. I’ve even had to be at work by 4:30 am before.

Actor call times for this morning, including fitting times.

Actor call times for this morning, including fitting times.

The main reason for this is the sun, and the fact that most shooting days are, at a very minimum, twelve hours long. Mondays usually mean a super early start as the goal is often to start filming outside as soon as the sun is up (you don’t want to miss any of that precious daylight, especially in the winter months when the days are shorter).

It’s all about proper preparation

In order to have the actors ready to go on set when the sun is up, they need to get to work an hour or two beforehand to go through hair and makeup and to get dressed. If it’s day that requires a large amount of background actors to be dressed and ready to go in the first shot, they (and the wardrobe people who are there to help them get ready) often must report to work a couple hours before sunrise.

As the tailor, I often have to be at work for an early morning fitting that happens before an actor goes to hair and makeup. Then I have the hour or so when they’re “in the chair” as we call it in the film business, to complete an alteration. This is also when my fast sewing skills come in handy.

The early bird

This Monday on Blindspot, we’re in the studio on the stage so all the scenes are interior but, general crew call is still 7:00 am.

This Monday on Blindspot, we’re in the studio on the stage so all the scenes are interior but, general crew call is still 7:00 am.

This Monday on Blindspot, we’re in the studio on the stage so all the scenes are interior but, general crew call is still 7:00 am. We were also on the stage most of last week, including Friday, so the crew will be pretty much ready at 7:00 to start shooting. If we’ve been out somewhere on location shooting, sometimes an extra half hour or so is needed to get the lights ready, the cameras out, the props set, etc.

Times the wardrobe, costume, and hair & makeup departments had to be at work this morning.

Times the wardrobe, costume, and hair & makeup departments had to be at work this morning.

The wardrobe crew, though, was here at 5:42 and 6:00 and the first actors arrived by 6:00.

Sometimes people ask how I’m able to get up so early. I honestly don’t know the answer. I will say that I think you do get used to it. I actually hate when I don’t have to be at work until 9:00 or 10:00, mainly because it can take twice as long to get there when you’re in the midst of rush hour traffic. I’d choose the 5:00 and 6:00 am starts every time.

I do my best, focused work early in the morning; things don’t seem as frenetic before the sun is up. There are fewer distractions, the phone doesn’t ring, the only texts are most likely directly related to whatever I’m working on, people aren’t quite awake yet so there’s less chit chat. Things just seem to flow along at a steady, quiet, unencumbered pace.  Also, when you get to work at 6:00 in the morning, you get to have second breakfast at 10:00 – and who wouldn’t be up for that?

Cactus & Succulent Fabrics for You to Love
by Charlotte Kaufman

Cactus and Succulent Fabrics for You to Love

California’s deserts are super blooming right now thanks to a long and wet winter. While we still have over 15 feet of snow in the ground here in Mammoth Lakes, California, I am not immune to dreaming of spring and the beauty of a flowering desert.

With that in mind, I give you NINE fabric lines featuring cacti, succulents, and the beauty of the high and low deserts.

Desert blooms

First we start with Rae Ritchie’s debut collection, Desert Bloom.

First we start with Rae Ritchie’s debut collection, Desert Bloom.

First we start with Rae Ritchie’s debut collection, Desert Bloom.

Lovely llamas

If you are looking for something with a little more ‘prickly’ whimsy, check out No Drama Llama by Dear Stella House Designer.

If you are looking for something with a little more ‘prickly’ whimsy, check out No Drama Llama by Dear Stella House Designer.

If you are looking for something with a little more ‘prickly’ whimsy, check out No Drama Llama by Dear Stella House Designer.

Not satisfied with the selection of llamas above? Don’t fret, here are more Lovely Llamas by Michael Miller.

Not satisfied with the selection of llamas above? Don’t fret, here are more Lovely Llamas by Michael Miller.

Not satisfied with the selection of llamas above? Don’t fret, here are more Lovely Llamas by Michael Miller.

California dreaming

Hawthorne Thread’s Palm Springs line brings us deep into California with cacti, lizards, geometry, and the sweeping vistas of a desert skyline.

Hawthorne Thread’s Palm Springs line brings us deep into California with cacti, lizards, geometry & the sweeping vistas of a desert skyline.

Hawthorne Thread’s Palm Springs line brings us deep into California with cacti, lizards, geometry & the sweeping vistas of a desert skyline.

Joel Dewberry’s Cali Mod fabric continues with the California theme. He absolutely knocks it out of the park with images of succulents that look like a Warhol painting, and vibrant and metallic colors combined.

He absolutely knocks it out of the park with images of succulents that look like a Warhol painting, and vibrant & metallic colors combined.

He absolutely knocks it out of the park with images of succulents that look like a Warhol painting, and vibrant & metallic colors combined.

Back into the desert

The next two lines are both by Hawthorne Threads and they each coordinate with the other, as well as with Palm Springs above. Here you have Mojave by Hawthorne Threads.

Here you have Mojave by Hawthorne Threads.

Here you have Mojave by Hawthorne Threads.

And this is Coyote, also by Hawthorne Threads. They basically have the market cornered on any type of desert, cacti, or succulent-themed fabric you could want. The motifs make me want to sew a super lightweight quilt and wrap myself in it on a porch somewhere in Joshua Tree as I watch the sunset.

The motifs make me want to sew a super lightweight quilt & wrap myself in it on a porch somewhere in Joshua Tree as I watch the sunset.

The motifs make me want to sew a super lightweight quilt & wrap myself in it on a porch somewhere in Joshua Tree as I watch the sunset.

Heading to Arizona

Bari J. Ackerman’s fabric line, Sage, moves us from the California deserts to her home state of Arizona. These fabrics are individually works of arts, together, they are really visually stunning. The maximalist floral and fruit prints combined with repetitive patterns, bright colors, cacti, and desert animals render me incapable of picking a favorite fabric. I love and want them all!

I love & want them all!

I love & want them all!

Succulence

Lastly you have Bonnie Christine and Art Gallery Fabric’s Succulence line. The only plants I can keep alive are succulents; it’s nearly impossible to kill them. They thrive in amazing conditions. Bonnie has paid homage to this amazing ability to survive with even tiny amounts of water in this retro-inspired line of succulent fabrics.

Lastly you have Bonnie Christine & Art Gallery Fabric’s Succulence line.

Lastly you have Bonnie Christine & Art Gallery Fabric’s Succulence line.

Did I miss any? Do you have any other favorite cacti, succulent, or desert-inspired fabrics you love? Let us know about them in comments!

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Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
Charity Sew Event
by Sarah Woodard

Charity Sew Event

Sewing is great. Sewing with others is even better. Sewing with others to benefit a great cause is the best! Lucky for you, there’s an event happening on April 8, 2017 where you can sew to help a great cause – sustainable feminine hygiene!

Days for Girls

Days for Girls International helps girls go to school & women go to work in more than 100 countries.

Days for Girls International helps girls go to school & women go to work in more than 100 countries.

Days for Girls International helps girls go to school and women go to work in more than 100 countries. They provide sustainable feminine hygiene solutions and health education in areas where women and girls would otherwise be isolated during their monthly period.

So far, their work – and the work of great volunteers like you – has been shown to give back six months of living for just three years of use. That may not seem like much to you, but to girls and women in areas where they’d otherwise be confined during their period, this is huge!

It’s not just six months of life; it’s six months of living, of thriving. It’s six months of dignity and safety and its progress towards educating the community and changing the perceptions about women around the world.

What You’ll Make

The feminine hygiene kits are assembled by great volunteers! Here’s a quick look at what’s inside.

  1. A fashionable drawstring bag. This is durable and stylish so she can carry her feminine hygiene kit to school or work for up to three years.
  2. Moisture barrier shields. These shields hold the liners in place and stop leaks. They’re pre-loaded to demonstrate how to adjust based on flow.
  3. Travel size soap. The distributing organizations provide more soap in the country of distribution. Travel size saves on shipping costs and weight.
  4. Instruction sheet with pictures.
  5. Two pairs of panties girls’ sizes 10 – 14.
  6. Wash cloth. In addition to being used to cleaning, it’s a great way for educators to introduce hygiene topics.
  7. Eight absorbent trifold pads. These are washable and reusable. They don’t look like pads in the U.S. and can be cleaned without girls risking exposure or crossing taboos.
  8. Two one-gallon size Ziploc freezer bags. These are used for transporting soiled items and washing them discretely using very little water.

How to Get Involved

This amazing project that provides security and cleanliness to women across the globe needs your help! Sign up in our store beforehand. On the day of the sew event, bring your machine and come ready to share the experience with other women. When you sign up, we’re happy to give you information on fabric and other items you can donate to further help with the cause. We appreciate all your help!

Click image to go to event page!

Click image to go to event page!

The Lost Straight Pin Dilemma
by Connie Smith

The Lost Straight Pin Dilemma

Let’s be honest. Sewing isn’t the most dangerous hobby. I’m not driving a Nascar race, flipping in the air off of a dirt bike, or taming poisonous reptiles. Overall, it’s a safe assumption that I’m not chancing my life by trying to finish a sewing project! But that doesn’t mean that there isn’t room for smaller injuries in the world of sewing, and one of those possibilities has surfaced a number of times on this blog: Accidentally sticking yourself with a straight pin.

Ouch!

Don't misplace your straight pin container!

Don’t misplace your straight pin container!

Sure, it’s a minor injury. There’s no need to rush to the hospital, and you probably won’t break out a Tylenol bottle to help with the pain. Regardless, it is a discomfort, and the possibility of enduring that discomfort extends beyond your sewing session if you do what I’ve found to be one of the easiest missteps in sewing, which is losing your straight pins. I don’t mean misplacing your straight pin container either! I mean that once you put away your sewing materials and supplies, you find that there is at least one straight pin lingering in or around your sewing area.  Each of those straight pins could be a future discomfort waiting to happen, and every one could also bring you one step closer to buying more straight pins.

But it’s sooo easy to lose these things! How can a person keep from having it happen?

Like with thread and material, the type of straight pin you get can matter, so be sure you’re making a good choice!

Like with thread and material, the type of straight pin you get can matter, so be sure you’re making a good choice!

Sometimes it’s unavoidable…

For me, personally, I’m leaning toward the idea that I can’t completely prevent it. In fact, my leaving straight pins behind is kind of a running joke in my house. Other than using a pin cushion, the only advice I have to offer on that detail is to make the right choice when buying your pins. Like with thread and material, the type of straight pin you get can matter, so be sure you’re making a good choice! In my experience, ones with a bit more length to them seem to hold their places better than the shorter ones, and I think logic backs that up. The longer the pin, the more space you have to lock it in place in your fabric. If it’s locked in place, there’s less risk of it working its way back out of the material, which lessens the risk of a loose straight pin.

If it’s locked in place, there’s less risk of it working its way back out of the material, which lessens the risk of a loose straight pin.

If it’s locked in place, there’s less risk of it working its way back out of the material, which lessens the risk of a loose straight pin.

Even with those longer pins and pin cushion though, pins still might end up scattered around your work area. So when nothing you’ve done keeps your straight pins from falling to the floor, seat, etc., how do you find them to put them away and prevent someone from accidentally coming across one in a not-so-pleasant fashion? Here are some ideas!

Your own senses

This one is obvious, so let’s begin with it. Sometimes, just looking around your sewing area can let you find loose straight pins, and gently patting your hand (not pressing too hard since pins are, indeed, sharp) could help you detect them as well. I honestly don’t know how many pins I’ve found with these tactics, and I didn’t have to buy anything for them!

Found ya!

Found ya!

Shine a flashlight

Objects that are the color and/or texture of a straight pin reflect light, so if you shine a flashlight, you might get a glimmer in response that will lead you to a loose straight pin. Take your time as you do this so that you don’t look right over the pin! A few extra seconds for a better-done job could save you hassle and, as I mentioned, discomfort, in the future!

Use a vacuum cleaner

Okay, clearly, you might not want to vacuum up a straight pin for the sake of your vacuum cleaner! But as the link says, if you use an extension hose from your vacuum, you just need to put some kind of barrier over it to keep the pin out. A piece of cloth would work, and using the vacuum in this fashion would pull the straight pin out of whatever hiding place it’s in to a very obvious spot without damaging your vacuum cleaner. Simple, right?

Use a magnet

This method is plain, but effective! Just move a magnet around your work area, and any metal pin that’s close enough should be drawn to it. The strategy comes with very little hassle, and very little room for error unless your magnet is too far away from the pin. But so long as you’re thorough with covering the area, this is — in my opinion — the best tactic of the listed ones. It’s not as iffy as missing a flashlight glimmer, as unsure as eyeballing the area, or as cumbersome as breaking out (and readying) your vacuum cleaner. It’s so low-tech, most people can use it easily, and it’s cheap! What more could you ask for?

With these methods at your disposal, hopefully most of your loose straight pins can be found and preserved for future use instead of laying around for future injury!

Do you have a preference among them or know any other strategies for locating loose straight pins? If so, share your thoughts!