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by Connie Smith

Basics of Quilt Maintenance

Maintenance. It can be a big deal in home, car and… quilt upkeep. That’s right. Just like letting your car go well beyond its oil change moment can snowball into a vehicle that isn’t budging without a major repair bill, not maintaining a quilt in the proper way could result in a sentimental treasure that’s good for little else than — maybe — scrap material. Sure, your quilt might not cost as much as, say, an engine to replace, but there’s more value in something handmade than a dollar sign. Maybe it was a wedding gift from a relative or a crib accessory that your mother started making before you slept your first night in said crib. Those types of belongings can have a lot of worth, so preserving them might be a big deal.

Wear, tear & time

Don’t break your own heart by letting this kind of damage happen to something close to it!

Don’t break your own heart by letting this kind of damage happen to something close to it!

One of the most important details about this preservation is to keep an eye on the products on a regular basis since smaller complications that come from wear, tear and time could be much easier to repair than those that have been expanding for some time. Other important details are to know how to fix the damage and determining if the damage is even fixable. As an example for these aspects, I’ll use a quilt that has some sentimental value to me, but a lack of maintenance has taken its toll. Don’t break your own heart by letting this kind of damage happen to something close to it!

Damage control

Let’s examine this first spot of damage, shall we?

Let’s examine this first spot of damage, shall we?

Let’s examine this first spot of damage, shall we? It looks fairly simple with just two simple holes in the top layer of fabric, so if I begin this examination with the basic question of whether or not it’s fixable, the answer would be yes! The smaller sizes here would allow a little bit of embellishment — maybe a patch — to be placed directly over the damaged area. Since this is a quilt that has a floral design, I could add something like a butterfly there so that it looks like it’s landing on the flower. Sure, it changes the design a bit, but it fits and is corrective. This issue, it seems, was detected in time!

Do away with the fray

The material is showing wear & tear around the seams and that’s not very surprising!

The material is showing wear & tear around the seams and that’s not very surprising!

Now, let’s try this one. The material is showing wear and tear around the seams and that’s not very surprising! The damage does extend a bit beyond the immediate area surrounding the seam, but it still seems to stem from that one line where the thread is running through. So, is it fixable? Yes! All I would need to do is add a border around the block to cover the issue, and if I did that for every block, the strategy would be replicated throughout so that this block wouldn’t look out of place. Again, it would change the design of the quilt, but not in a way that would necessarily make it look odd. I could match the border to the colors already present, and the addition could actually create a popping look for each block.

To fix or not to fix

This one is shredded, & the top layer isn’t covering as much material as it did in the prior pictures. But is it fixable? Believe it or not, yes!

This one is shredded, & the top layer isn’t covering as much material as it did in the prior pictures. But is it fixable? Believe it or not, yes!

How about this one? Well, the damage here is much more drastic than a simple tearing from stitching or tiny holes in the fabric. Instead, this looks more shredded, and the top layer isn’t covering as much material as it did in the prior pictures. But is it fixable? Believe it or not, yes! Since this area is at the end of the quilt, changing the size of the quilt could work. I would need to cut off enough material on this side of the quilt so that the damaged territory is done away with and redo the border work. It’s not as easy of a fix as sewing on a butterfly embellishment, and the appearance of the quilt would definitely be altered by the smaller territory. But, if pressed, this would be a fix!

Too far gone?

The fabric became too worn, whether from use, washing, time, or some other variable, & without the proper methods to fix the problem, it spread.

The fabric became too worn, whether from use, washing, time, or some other variable, & without the proper methods to fix the problem, it spread.

Now, we get to this one. Here, this looks as if the fabric became too worn, whether from use, washing, time, or some other variable, and without the proper methods to fix the problem, it spread. Of course, there could be another explanation for it. Perhaps someone ripped it, and the damage grew. Whatever the reason, the faulted block is in the midst of the quilt, and this fabric probably won’t go together at this point. This one, dear readers, doesn’t seem to be strategically fixable. In my defense, this damage could have happened before I got into sewing, but if I’d paid attention and caught a small hole in the fabric, I could have embellished it. If there was a tiny rip, I could’ve stitched it. As it stands though, the only ways I can see to fix this would be to add on an embellishment that would be too large to look natural or change the entire block — which would throw off the pattern of the quilt. This one, it seems, has gone too far.

And this is precisely why you should keep an eye out for damage! If you catch the smaller problems, you can fix them. If you let them escalate, you could be looking at a ruined quilt. So to preserve your works, keep tabs on them and — through borders, embellishments, and adjustments — tend to those issues as they show up!

How to Sew a Luck O’ the Irish Flag Quilt for Your Wall
by Millie Green

VIDEO: How to Sew a Luck O’ the Irish Flag Quilt for Your Wall

Celebrate St. Patrick’s Day or your heritage with an Irish flag quilt

Luck O' the Irish PIN

We always celebrate St. Patrick’s Day around my house because my dear is a bit obsessed with Ireland. He claims to be Irish, although his parents say his heritage is mostly English and Scottish. I guess he’s just Irish at heart.

So one year I decided to surprise him with a St Patrick’s Day present and I designed this Irish flag quilt for him. He loved it so much that he rearranged all the other décor in his man cave to give it a place of honor on the wall.

Of course the flag of Ireland does not feature a four-leaf clover, but I thought it would be a nice addition to the design.

Here’s how you can make an Irish flag quilt featuring a four-leaf clover for your wall or table, too.

Luck O’ the Irish flag quilt how-to

You will need:

  • Assorted green and orange quilter’s cotton scraps
  • White quilter’s cotton
  • Muslin
  • Green, white and orange bias binding, grosgrain or fabric to make binding
  • Green felt
  • White, green, and orange thread

Please note that this Irish flag quilt is designed to be the same ratio as the official flag of Ireland. So for an authentic look, use these exact dimensions when making this project.

Sew the patchwork sections

For the green and orange sections of this Irish flag quilt, you will need seven strips of muslin 2.5” x 20.5” per section. For the white section, you can do as I did and cut seven strips of white and off white quilter’s cotton, or you can do as I wish I’d done and simply cut one large rectangle 14.5” x 20.5”.

To make the patchwork strips, take one of the long muslin strips and lay a colored scrap right side up at the top of the strip. Then, take another scrap and place it right side down directly on top of the first scrap. Sew a quarter inch seam at the bottom, flip the second fabric down to face right side up, and press. Then repeat, placing the next scrap right side down atop the second, sewing across the bottom, turning, and pressing. Repeat until you reach the end of the strip. Place them right sides down and trim, then set aside.

Here’s a video of me showing how to do this step:

Complete seven green patchwork strips and join these together using quarter inch seams.

Then complete seven orange patchwork strips and join these in the same way.

For the middle section, I went with a patchwork of alternating white and off-white print strips. But I wish I had instead used a single piece of a plain white fabric or a white-on-white print. I think this would show off the echo quilting better. You could choose to do either.

Applique the four-leaf clover

I experimented with constructing the four-leaf clover from a patchwork of fabrics, but I decided it looked better done in a single color of green.

Make the clover from two pieces of green felt. Cut two leaves connected in the middle from each piece. You can freehand your design or you can print mine if you’d rather.

Download: Clover PDF pattern

For the stem, cut a long rectangle 9” x ½”

Layer the top end of the stem at the bottom with the two clover pieces crossed over each other on top of the stem in the middle of your white section. Pin in place and then stitch down. If you use felt, as I did, then you can use a straight stitch. If you use a green quilter’s cotton, you will want to appliqué this with a satin stitch.

Quilting

Because we are going to be using three colors of binding for this Irish flag quilt, we are going to quilt each section separately. Construct three “quilt sandwiches” by layering each section’s top over a piece of batting and then a piece of backing muslin. Make the batting and backing slightly larger all around than the top pieces.  Then pin.

For the orange and green sections, I quilted along the seams using a satin stitch. Satin stitch is just a zig zag with a wide width and a short length. I set my machine to a 3.0 width and a .5 length. This gives extra interest to this small quilt. Use green thread for the green section and orange thread for quilting the orange patchwork.

For the white section, we’ll do the quilting differently. Use white thread and echo the shape of the clover all around. Start close to the design and then make larger outlines. After you have gone around the shape a few times, you will start to run out of fabric on the edges of the design. Just pretend that you didn’t and pick back up on the fabric as the design continues around.

Triangles for hanging

Here is an easy method to prepare small quilts like this for hanging on a wall.

Cut two 4” squares from muslin and press them in half diagonally to make triangles.

Place one triangle on the back outer top corner of the green patchwork section with the raw edges aligned. Sew with a scant eighth inch seam along the top and side edges to attach.

Then do the same with the other triangle on the back upper outside corner of the orange patchwork section.

Once the quilt is assembled, you can insert a dowel into these triangles to hang the quilt flat on the wall.

Binding

We are going to bind each section separately so that we can use different colors of binding for each section. You will bind three sides of the green and orange sections and just the top and bottom of the white section.

When I made mine, I discovered at the last minute that I didn’t have any green binding. I’m all about using what I have, and I had plenty of green grosgrain ribbon, so I used this for the first time as quilt binding and it worked fine. If you have neither bias or grosgrain ribbon, make your own binding strips from fabric.

Sew the green binding continuously along the bottom, left side, and top of the green patchwork section. Sew the orange binding along the top, right side, and bottom of the orange patchwork section. Then sew two pieces of white binding on the white section, one along the top and another along the bottom.

Put it all together

Now sew the green section to the left side of the white section and the orange section to the right side of the white.

Now hang it on your wall.

Now hang it on your wall.

I used my serger to finish these seams neatly on the back.

If you don’t have a serger, you could use an overcast foot to neaten the back seams, or you could encase them in a bit of narrow binding.

Or you could decide that since it is the back of the quilt no one is looking and leave the seams raw if you want to.

The serger really makes them look nicely finished though, and if you don’t have a serger, I suggest you think about getting one. A serger can quickly boost your sewing to pro level.

Cut a dowel to 41” and pop it in the triangles on the back of your Irish flag quilt. Now hang it on your wall.

I hope you have fun making this project and that your Irish flag quilt blesses you with good luck!

Sewing Myths and Sewing Myth Myths
by Vanessa Nirode

Sewing Myths and Sewing Myth Myths

This week, I decided I’d write a bit about popular sewing myths. I have my own list but thought I’d do a quick Google search to see what others had written about the subject. This brought me to a few sewing myth lists that I found rather odd, and not at all myth-like – meaning I thought the myths were myths. Do you follow me?

I’m going to start with some things I do believe are myths, and then get the myth myths part.

Myth 1: quilting direction

It’s ok to quilt some rows up and some rows down when quilting a garment.

Not true. There will be less possibility of bubbling or puffing if you quilt all the rows in the same direction. Overall, the whole garment will look better.

Myth 2: smaller underlining

The underlining should be smaller than the fashion fabric, especially on a jacket.

Not always true. It really depends on the fabrics being used. Hair canvas should be slightly smaller to prevent buckling but it will also restrict the give or stretch of a fabric it is joined with. Many tailors cut their canvas on the bias to prevent this.

Myth 3: cutting selvage edge

Always cut off the selvage edge.

Not true. If you think the selvage will shrink, clip the edges so it will lie flat. Otherwise, there is no need to cut it off.

Myth 4: basting stitches

Stitch next to basting stitches when sewing a basted seam lines.

Not true. If you do have the need to baste seams together, always sew right on top of the basted lines for accuracy.

Myth 5: necklines

Machine stay stitch necklines to prevent stretching.

Another, more accurate way to prevent any stretching in your necklines (and arms eyes) is to leave a whole bunch of seam allowance until you’ve done your stay stitching.

Another, more accurate way to prevent any stretching in your necklines (and arms eyes) is to leave a whole bunch of seam allowance until you’ve done your stay stitching.

Not always true. You can also hand baste your seam line, also called thread tracing. If you do machine stitch your necklines, take special care not to stretch the fabric as you sew. Another, more accurate way to prevent any stretching in your necklines (and arms eyes) is to leave a whole bunch of seam allowance until you’ve done your stay stitching. When it comes to necklines, I usually cut a straight line from shoulder seam to shoulder, leaving all the extra fabric there. If I’m bias binding the neck edge, I attach my bias without trimming anything away too. This prevents any possibility of the neckline stretching.

Myth 6: top = waistline

The top of your pants or skirt is your waistline.

Very often not true. Your waistline is where your body is the smallest, most times an inch or so above your navel. This is why, often, when you measure a pair of pants that is sized as a 27, the waistband of the pants measures more than 27.

And now, for a few sewing myth myths.

Myth myth 1: $ewing cost too much

Sewing is too expensive.

This really depends on how you look at. Sewing is not necessarily expensive but it isn’t cheap either. Especially, most especially, if you are taking into account your time. I earn my living by sewing. And my years of experience and knowledge aren’t cheap. Sewing is a skill. I always ask people what they pay their car mechanic or plumber an hour. Often, it’s somewhere in the 60 to 100 dollar and hour range. If you don’t want to pay that amount of money, you figure out how to do it yourself. The same goes for sewing.

If you’re making something for yourself or as a gift out of love then it could possibly be cheaper than buying the same thing. But remember, nice high-end fabric and supplies are not cheap, nor should they be. If you want cheap, buy clothing made in Malaysia or Bangladesh sold at Old Navy or someplace like that.

Myth myth 2: sewing is the hardest

Sewing is too hard.

Well isn’t not exactly easy, either. To sew really well takes practice. I find it incredibly annoying when someone says something like, “It’s just an easy alteration, it won’t take long.” If you don’t sew, how do you know? And if you do sew, you should know that sometimes you open a thing up to do what should be an easy alteration and find you’ve just taken the lid off a proverbial can of worms.

Myth myth 3: sewing super powers

Sewers have special creative talents.

I believe everyone, if they put their mind to it, can learn how to sew. But saying that sewers (I actually hate that word) do not have special creative talent is ridiculous. I think I’ve said this before, but really good tailors and pattern makers know the language of fabric. I don’t know how else to put it. And that, is indeed, a special talent.

Must Have Sewing Notions and Supplies
by Sarah Woodard

Must Have Sewing Notions and Supplies

Last week, I told you about my dream sewing room furniture. This week, I want to share with you my must have sewing supplies. And no, I don’t actually own all of them since I don’t yet have that dream sewing room. Call this my dream sewing supplies list, I guess.

Must Have Sewing Notions and Supplies

Dress Form

I adore making cute summer sundresses. Right now, I measure myself, cut along what I hope are the right lines in the pattern and hem it by hanging the dress on closet hanger. Not ideal, but so far at least, they’ve all come out fine. I’d love a dress form though so I could check the fit and make minor tweaks and modifications as I go. I’m kind of between dress form sizes right now, so I’d have to make a call on which size to get – or if money was really no object, just get both!

Amazing Sewing Scissors

Alright, so I do have a pair of fabric scissors. I couldn’t consider myself a sewer if I didn’t. But I don’t love them. The handles are hard plastic and someone (not naming any names) used them to cut paper at some point, which kind of screwed up the cutting surface. I’d really love a pair of fabric scissors with a softer handle, especially since breaking my right hand last year. Even better, the ones I linked to have a purple handle! That’s my favorite color. Definitely on my sewing supplies wish list.

How about you?

Long Ruler

I don’t necessarily need to cut long, straight lines making sundresses, but I do need to measure long stretches of fabric to line up pattern pieces. Right now, I use a soft measuring tape. I pin it down on one side and pull it taut to measure. It’s not ideal, but it gets the job done. A yard stick or long ruler would go a long way towards making measuring easier.

What’s on your sewing supplies wish list? Sewing Machines Plus probably has it! Check out the website and let yourself dream.

How to Store Your Fabric Scraps
by Charlotte Kaufman

How to Store Your Fabric Scraps

It only took me six months, but I finally organized my fabric scraps after our move.

It only took me six months, but I finally organized my fabric scraps after our move.

It only took me six months, but I finally organized my fabric scraps after our move to this new town and new house. When we made the move, I dumped my two huge bins of scraps into a few shopping bags and tucked them away until this glorious moment when they would not only be sorted, but have a place to reside.

Bits and pieces

Why should one keep & organize fabric scraps?

Why should one keep & organize fabric scraps?

Why should one keep and organize fabric scraps? Here are some reasons to consider.

  1. Fabric is expensive. Long sized strips, and smaller pieces can be reused for a vast amount of projects. The internet is a trove of fabric scrap project ideas.
  2. Out of sight, out of mind. The reverse of this is true as well. When you have your scraps visible, you are much more likely to use them and be aware of what you have available.
  3. Have a favorite color? It probably shows in the types of fabric you buy. Take a look at your pile of scraps and try to use up more of that color before you buy a few more yards.
  4. Many people cut their scraps to standard sizes. If you have a size of fabric you constantly seem to go to, make your life easier by making your own pre-cuts out of scraps.

Scrap bags

I ultimately made 9 bags of folded scraps.

I ultimately made 9 bags of folded scraps.

I ultimately made 9 bags of folded scraps. They included the following (from left to right):

  1. All of my precut Layer Cakes (10” x 10” squares)
  2. All of my other-sized precuts
  3. Pinks
  4. Whites
  5. Yellows, tans and oranges
  6. Greens, teals and aquas
  7. Blues and purples
  8. Heavy duty fabric scraps (canvas, Sunbrella, etc)
  9. Utility fabric scraps (batting, white out fabric, mesh, etc.)

One of these things is not like the others…

Bag #10 holds all of my selvage edges & very thin strips of fabric.

Bag #10 holds all of my selvage edges & very thin strips of fabric.

There is also a 10th bag (but it didn’t fit well in the group photo above). This holds all of my selvage edges and very thin strips of fabric. I have a huge wish list of projects to make from selvage edges. Perhaps I’ll write a post soon showing you the world of possibility with saving those thin strips!

A place of and for my own making

Welcome to my fabric corner.

Welcome to my fabric corner.

This is my fabric corner. The upper shelves hold my larger stash of fabrics, so pieces that are a fat quarter size or larger. The lower shelves hold my iron on top, and my fabric scraps in the bins below.

Dirty little secret: I just tuck larger pieces in wherever I find room.

Dirty little secret: I just tuck larger pieces in wherever I find room.

I’d love to tell you that I have my larger pieces organized in some kind of fancy way, but I really don’t. I just tuck them in wherever I find room.

Behold! A place for everything & everything in its place.

Behold! A place for everything & everything in its place.

Can you see how lovely the organization of these scraps is? The easy access and keeping them visible by my work space means I’m often including them in my daydreaming when it comes to new sewing projects.

Do you store your fabric scraps? If so, tell us where or how you do!

———————————————————————————–
Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
What You Might Not Know About Your Favorite Thread
by Jacob

What You Might Not Know About Your Favorite Thread

Click the image to get your thread!

Shop Thread Now!

Shop Thread Now!

Choose the right type of sewing thread for your next project

Any sewing enthusiast knows that a seam is only as good as the thread that holds it together. From polyester to silk, the type of thread you choose for your next project can leave you happy — or horrified. Luckily, we’ve put together a brief rundown of five popular types of thread, so that next time you’re at the fabric store, staring down hundreds of spools, you can confidently pick the right one for the job.

Cotton thread

Cotton thread is washable & wearable but has "give" — which makes it great for quilting, piercing & appliqué projects.

Cotton thread is washable & wearable but has “give” — which makes it great for quilting, piercing & appliqué projects.

A common “go-to” for many sewing enthusiasts, cotton thread is washable and wearable but has “give” — which makes it great for quilting, piercing, and appliqué projects. Keep in mind, though, that the lower the weight, the heavier and thicker the thread. If your next project is a thin blouse or lingerie set for example, consider using 50 weight cotton thread: this thin thread has less bulk, so your seams will lay flatter. For an “all-purpose” quilting thread, a middle-of-the-road 40 weight cotton thread is ideal (for both machine and long-arm quilting); it’s thin enough to glide easily through thick fibers, but strong enough to secure your quilt. Finally, a 30 weight cotton thread has the thickness necessary for dramatic accents in topstitching and quilting stitches.

Rayon thread

Rayon is relatively inexpensive & provides a decorative finish with shine.

Rayon is relatively inexpensive & provides a decorative finish with shine.

The most commonly used thread for embroidery, rayon is relatively inexpensive and provides a decorative finish with shine. Rayon thread also has high tensile strength: it doesn’t break easily and is very stretchable and flexible, even when wet. However, rayon is usually not colorfast and often fades or bleeds from fabric.

Polyester thread

Stronger than rayon thread, polyester thread is a great "all-purpose" choice that can be used for most sewing projects, both hand- & machine-sewn.

Stronger than rayon thread, polyester thread is a great “all-purpose” choice that can be used for most sewing projects, both hand- & machine-sewn.

Stronger than rayon thread, polyester thread is a great “all-purpose” choice that can be used for most sewing projects, both hand- and machine-sewn. Polyester thread has some “give” to it, so unlike cotton, it won’t break when you use it with stretchy fabrics; polyester thread also remains bright after several washes. If you need a thread that will slip through fabric easily, you can also choose a glazed polyester thread, which will have a wax or silicone finish. It’s important, however, to avoid using glazed threads for machine-sewn projects, because the glaze can rub off and jams your machine.

Metallic thread

Designed for embroidery, quilting, & decorative stitching projects, metallic thread can be used to create beautiful topstitching designs.

Designed for embroidery, quilting, & decorative stitching projects, metallic thread can be used to create beautiful topstitching designs.

If your handbag needs touching up, metallic thread may be the perfect choice. Designed for embroidery, quilting, and decorative stitching projects, metallic thread can be used to create beautiful topstitching designs. Often available in gold, silver, and copper varieties, metallic threads are smooth, strong and vibrant.

Silk thread

Thin but strong & flexible with a lot of "give," silk thread is also ideal for basting stitches and tailoring curved areas.

Thin but strong & flexible with a lot of “give,” silk thread is also ideal for basting stitches and tailoring curved areas.

When sewing silk or wool fabrics, silk thread is the obvious choice. Thin but strong and flexible with a lot of “give,” silk thread is also ideal for basting stitches and tailoring curved areas.

Now choose wisely

Overall, the key to a durable and professional-looking finish is choosing a high-quality thread that closely matches the weight and fiber content of the fabric you’re working with. Take it from us: using the perfect thread will make sewing your next project that much more enjoyable.

Click the image to get your thread!

Shop Thread Now!

Shop Thread Now!

Ironing out the Ironing Details
by Connie Smith

Ironing out the Ironing Details

Random fact: My family does not like ironing.

We’re the type of people who, if something is wrinkled, minutes in the dryer are the way to work on the issue.

We’re the type of people who, if something is wrinkled, minutes in the dryer are the way to work on the issue.

Seriously. We’re the type of people who, if something is wrinkled, minutes in the dryer are the way to work on the issue. That being said, my hobby/profession of sewing is a bit contradictory for such an I-don’t-love-irons approach because an iron can be such a significant part of the sewing process.

Pressing seams, for instance, could add to the professional look of your project, and ironing your fabric before you sew can help to create more equal blocks and pieces. All in all, if you don’t iron, your product might look less impressive than you want it to, and with all the work you invest, taking the small steps to create a wonderful product could be worth the effort!

I come from an anti-iron family.

I come from an anti-iron family.

But given that I come from an anti-iron family, the idea of embracing the step can be daunting. Even picking an iron could pose a problem because there’s such a range of options. When you literally have thousands of options to choose from, selecting that right one could be a complex process. Do I get the pretty blue one, or should I pay the extra $50 for that name-brand one? What kind of features do I need, and what ones will I never use? Is this iron going to break in a month, or will it last me for years? These are the kinds of things worth considering should you choose to buy a new — and fitting — iron for your sewing.

Note: With my nerd interests, all of this anti-iron business could potentially be overlooked if I owned an Iron Man iron like the one seen here.

Note: With my nerd interests, all of this anti-iron business could potentially be overlooked if I owned an Iron Man iron like the one seen here.

Anyway. I did some research this week on iron-related topics, and I came up with a list of what I felt were the most important qualifications for an iron and the preferred method of selecting that sewing tool.

Price

Hey, remember me? I’m the cheapskate who blogs about saving money on sewing projects! Of course — of course — cheaper isn’t always the overriding criterion for an iron because sometimes things are cheaper for a reason. Maybe the $10 iron has no special functions to help you. Maybe it’s made of bad materials and will leave an imprint on your fabric. Maybe it’ll fall apart in five minutes. The point is that this is NOT the only detail worth considering, but if you can find an iron that suits your purposes for $30, why pay hundreds?

Functions

As I said, price can be overshadowed by functions that your iron can bring to the ironing board. For sewing, I don’t know that there’s a more important function than releasing steam to better tackle wrinkles in fabric. Basically, if you see an iron that doesn’t release steam, you might want to keep looking! Another detail you might want to think about is if your iron automatically shuts itself off after a span of time. While this might be an aspect that doesn’t concern you in the least because you’re so careful with your iron, if there’s a chance you’ll forget and leave your iron going, I would recommend trying for an iron that’ll automatically shut off. That choice could prevent a fire, after all!

Build

More than one source that I found mentioned older irons — “vintage” or “antique.”

More than one source that I found mentioned older irons — “vintage” or “antique.”

In a world where smaller technological devices can steal the spotlight, believe it or not, heavier can be a good thing for an iron when it comes to pressing seams! More than one source that I found mentioned older irons — “vintage” or “antique.” And it makes sense because that extra weight could make it easier to smooth out your seams with a smaller amount of effort. So should you completely fall back on your grandma’s iron from the 1800s? Not necessarily! Remember what I said about steam? But that doesn’t mean that a secondary iron for this purpose can’t benefit you, especially since you can buy used ones for such small prices (like, less than $10). For a brand new iron though, thinking about that extra weight could lead you to the right iron, as could other details like whether or not it uses a cord. As a person who can forget something is plugged up and trip over a cord fairly easily, I think cordless might be a good option for me!

And, now that we’ve labeled some of the most important traits for an iron, the situation comes down to how you can find that perfect iron even after you narrow down your options by price, function, and build. My main recommendation for this step would be to read customer reviews and try for something that received a high average rating. You might also want to look at how many reviews the product has since a 4.5 rating over 5000 reviews provides more credible feedback than a 3.0 rating out of 2 reviews. Why? As an example, a 5.0 rating could’ve been lowered by a 1.0 rating from someone who was criticizing the seller rather than the product.

Look for irons that have a lot of reviews, read through them for details that fit your needs, and pay very real attention to the average ratings. If you do, you could have the right information to find the perfect iron for your products.

Design Your Dream Sewing Room
by Sarah Woodard

Design Your Dream Sewing Room

I’ve never been lucky enough to have a whole room dedicated to sewing. I’ve always kept my sewing machine and accompanying needs in a closet and pulled them out when needed. For a few hours, while I sew something, the machine takes up the dining room table. I also use the table for cutting and measuring. If it’s larger pieces, the floor gets called into action as a cutting surface. That hasn’t stopped me from thinking about what my dream sewing room would look like. Here’s what I’ve come up with. How does it align with your dream sewing room idea?

Storage

Organization and storage are critical in a sewing room. I’m not a fan of tangled thread spools or bobbins I can’t find. I hate having to search for my measuring tape and it really irks me when someone “borrows” my fabric scissors and uses them on something else. I bet you know that feeling! So, the first thing my dream sewing room would have is a way to organize all those supplies in a tidy and efficient manner. Something like this cabinet. I also adore this thread tray.

Sewing Table

It needs to be sturdy and stationary. I’m not a fan of things rolling away from me while I try to work.

Next, I’d want the perfect place for my sewing machine to sit permanently rather than pulling it out each use. It needs to be sturdy and stationary. I’m not a fan of things rolling away from me while I try to work. It also needs to be open in the back so I can stretch my legs without banging my knees or feet. Something like this adjustable height table would be ideal for me.

Cutting Surface

The final piece of furniture my dream sewing room needs is a cutting surface. I want it sturdy and stable, but also with the ability to measure and pin to. I’ve created this ideal using two pieces. First, a sturdy table with side extensions. I love that I can drop one or both sides down if I’m working on a smaller project. Second, a cutting mat. By laying this on top of the table and fastening it down with glue or Velcro or double sided tape, I’ll have a sewing surface with the ability to measure built in.

You may notice I didn’t include a chair. That’s because I already have my ideal sewing chair and it happens to live in my dining room.

What does your dream sewing room look like?

DIY Chair Cushions for Kids
by Charlotte Kaufman

DIY Chair Cushions for Kids

DIY Chair Cushions for Kids

DIY chair cushions for kids.

I’ve been wanting to make cushions for the art table chairs in our girls’ room for a while and I finally made it down to a craft store that sold foam this week to get started on the project.

The first step in making custom cushions is accurate measurements. Notice how the chairs are not true squares? The front measurement was 13” and the back 12”. The distance between the front and back was 11 ¼”.

The first step in making custom cushions is accurate measurements.

The first step in making custom cushions is accurate measurements.

Want to know a trick with cushions? Cut your fabric to the exact size of the foam. I know this sounds counter-intuitive. ‘But what about seam allowance?’ you’re thinking. The thing is, foam compresses. If you cut your fabric to the size of the foam, and then sew ¼” seams (or ½” if using heavier duty fabric), the compression of the foam once it is in the cushion cover will more than cover the seam allowance you are used to providing on other sewing projects.

Want to know a trick with cushions? Cut your fabric to the exact size of the foam.

Want to know a trick with cushions? Cut your fabric to the exact size of the foam.

I’m trying to use up my fabric scraps this year, so I pulled out a few larger, odd-shaped scraps I had from this fabric and was able to cut out four top and bottom panels for the two chairs.

I’m trying to use up my fabric scraps this year, so I pulled out a few larger, odd-shaped scraps.

I’m trying to use up my fabric scraps this year, so I pulled out a few larger, odd-shaped scraps.

I used this fabric to make custom piping for a bench seat for the girls’ godmother. I like that they’ll have a small piece of the project I made for her in their own room. See the pink trim on the cushion below? That’s the same fabric.

See the pink trim on this cushion? That’s the same fabric.

See the pink trim on this cushion? That’s the same fabric.

For the side panels I decided to use corduroy from an old pair of pants I’d been saving for just this kind of project. They’d developed holes along the belt loops so I had held onto them just for the pretty fabric.

For the side panels I decided to use corduroy from an old pair of pants I’d been saving for just this kind of project.

For the side panels I decided to use corduroy from an old pair of pants I’d been saving for just this kind of project.

After marking the measurements with a Sharpie, I used an electric bread knife to cut the foam. It cuts through that stuff like butter. Here’s a gif as proof.

My electric bread knife cuts through the foam like butter.

My electric bread knife cuts through the foam like butter.

Another make-your-cushions-super-great secret is to use batting!! Wrapping them in batting or putting a layer on the top and bottom will improve how the puff up in your cushion covers. I used an adhesive spray to affix the batting to the top and bottom of each one.

I used an adhesive spray to affix the batting to the top and bottom of each one.

I used an adhesive spray to affix the batting to the top and bottom of each one.

Don’t measure the height of your sides until you’ve added batting. While the foam is 2”, adding the batting made the total measurement just under 2 ¼” (I should know what that measurement is, but I don’t. I just mark to the line under that ¼”).

While the foam is 2”, adding the batting made the total measurement just under 2 ¼”.

While the foam is 2”, adding the batting made the total measurement just under 2 ¼”.

Grab your zippers and zipper pulls, or, if you aren’t like me with spares on hand, plan ahead and order them before you begin.

Grab your zippers and zipper pulls!

Grab your zippers and zipper pulls!

I like to sew the zipper plaques first. Use whichever technique you like. I generally use the first method shown in this video by Sailrite.

I like to sew the zipper plaques first.

I like to sew the zipper plaques first.

If you need to attach extra fabric to the side panels, consider adding it to the ends in small amounts so the joins don’t show on the front of the cushion.

If you need to attach extra fabric to the side panels, consider adding it to the ends in small amounts.

If you need to attach extra fabric to the side panels, consider adding it to the ends in small amounts.

Attach the zipper plaque to the side fabric and then sew onto the bottom fabric piece.

Before you begin sewing the top piece on, make sure to mark your corners accurately. Fold them to each seam to make sure they match (the yellow mark in the photo below is my matching point.)

Fold the corners to each seam to make sure they match (the yellow mark in the photo below is my matching point).

Fold the corners to each seam to make sure they match (the yellow mark in the photo below is my matching point).

Next, make sure to slide on the zipper pulls BEFORE you sew the top piece onto the final assembly or you’ll be sad.

Next, make sure to slide on the zipper pulls BEFORE you sew the top piece onto the final assembly or you’ll be sad.

Next, make sure to slide on the zipper pulls BEFORE you sew the top piece onto the final assembly or you’ll be sad.

And finally, do not forget to sew your tie backs in between the seams as you go.

Do not forget to sew your tie backs in between the seams as you go.

Do not forget to sew your tie backs in between the seams as you go.

Whoohoo, you’re done! But, before you start celebrating, go over every seam to make sure they are secure.

Whoohoo, you’re done! Now, go over every seam to make sure they are secure.

Whoohoo, you’re done! Now, go over every seam to make sure they are secure.

Then take your scissors and round the corners so they turn prettier. I used pinking shears on the fabrics in this project. Check out my post from January to learn about their benefits, along with other important cutting tools for your sewing room.

Take your scissors and round the corners so they turn prettier.

Take your scissors and round the corners so they turn prettier.

When you turn the covers right-sides out, use your fingers to pop out each corner.

When you turn the covers right-sides out, use your fingers to pop out each corner.

When you turn the covers right-sides out, use your fingers to pop out each corner.

If you’ve done this right, your finished cover is going to look smaller than your foam; that’s because it is! Now is the time to put the cover on the cushion and here is where you’ll see how foam compresses to fit your new cover.

Now is the time to put the cover on the cushion & here is where you’ll see how foam compresses to fit your new cover.

Now is the time to put the cover on the cushion & here is where you’ll see how foam compresses to fit your new cover.

I’m going to use caps lock here to get across how important this next step is: DO NOT TUG OR PULL ON YOUR FABRIC TO GET IT ONTO YOUR CUSHION. I promise you, if you do that, your seams will pop. Instead, fold the cushion to slide it into the cover, and then slowly work the foam into the fabric, NOT the other way around. Just keep thinking ‘move the foam, not the fabric.’ Don’t be afraid to really get your hands deep into the cover and use them to maneuver the foam in place. Adjust, adjust, and adjust, until the cushion sits perfectly in the cover, with the lines of the foam matching the lines of the cover.

DO NOT TUG OR PULL ON YOUR FABRIC TO GET IT ONTO YOUR CUSHION!!!

DO NOT TUG OR PULL ON YOUR FABRIC TO GET IT ONTO YOUR CUSHION!!!

Ta-da!!!

Ta-da!

Ta-da!

This project turned out just darling. The corduroy almost looks like velvet and I love the effeminate touch it brings to the room.

The corduroy almost looks like velvet and I love the effeminate touch it brings to the room.

The corduroy almost looks like velvet and I love the effeminate touch it brings to the room.

These cushions will inevitably get marks on them. That’s okay, they have zippers so they can be washed, AND, they are reversible. I can just flip them over if I need to.

I can just flip them over if I need to.

I can just flip them over if I need to.

My daughters loved these and immediately hopped on and got cozy.

My daughters loved these and immediately hopped on and got cozy.

My daughters loved these and immediately hopped on and got cozy.

What DIY projects have you made for your home lately? Let us know in comments!

What DIY projects have you made for your home lately? Let us know in comments!

What DIY projects have you made for your home lately? Let us know in comments!

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Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
How to Sew Faster
by Vanessa Nirode

How to Sew Faster

My job as a tailor on a television show often requires me to complete an alteration in a seemingly impossible amount of time. Not to be overly cocky or self-congratulating but, I can be pretty fast when needed. People frequently ask me how I’m able to do something so quickly.

Don’t hesitate. Just, do.

Honestly, I don’t think so much about it anymore: its pretty much second nature at this point. But, I suppose if I were to break it down, the process would go something like this:

First, don’t panic. Whatever you do, don’t panic. If you do, you could find that suddenly you’re unable to thread a needle, or your needle breaks, or the thread tangles.

Second, don’t hesitate. Just, do.

As you’re working, think about the next step. Plan ahead.

Concentrate fully on what you’re doing. Don’t listen to the conversations going on around you. Pay no mind to whatever random chaos might be happening in another part of the room. Just focus your full attention on the one thing you are doing. That is all that is important.

Whatever you do, don’t thread mark. I know that’s what they teach in sewing school but there is no reason to have to thread mark a pant hem.

A few tips on how to sew faster:

Do as much as you can without stopping to iron.

If I’m really pressed for time, I tend to leave all the ironing until the very end (pun intended).

Learn how to eyeball measurements. Think about it, if you’ve been sewing long enough, you know what a ½” looks like. You honestly do not need to mark every single little line. If you want to measure, go ahead, put use your pins to mark the line. I often work with a metal seam gauge but rarely actually draw a new stitching line. One exception is if I’m re-mitering a suit jacket sleeve corner though I know lots of tailors that do not need to draw that line either.

Whatever you do, don’t thread mark. I know that’s what they teach in sewing school but there is no reason to have to thread mark a pant hem. I once had an additional tailor helping me on a show who insisted on thread marking the fold line on hems for cop pants. Buy some tailor’s chalk and use that to mark your hemline. It’ll disappear when ironed.

Unless you’re topstitching, you really don’t have to have your thread match exactly. Believe me. Whatever thread is in your machine is just fine. I cannot begin to tell you how many black garments I’ve altered quickly with red or yellow or whatever happened to be in the machine colored thread.

Learn how to undo a chain stitch. A lot of manufacturers use chain stitches in clothing construction. This makes it super easy to take them apart when needed. You can only unravel a chain stitch in one direction, the direction it was sewn in. Most of the time, all you need to do is insert a seam ripper and pull in that direction and all the stitching will come undone. The center back seam of men’s pants, often will have two rows of stitching so you’ll need to pull each row separately.

A couple other seam deconstruction tips:

To take apart a serged seam, use a nice sharp seam ripper and run it through the threads that wraps around the edge of a seam. After you do this, the rest of the threads will usually come apart rather quickly. Some serged seams are on a chain as well and you can undo them by pulling the thread on the straight stitch.

One of the fastest ways of taking apart a seam is to, again, use an extremely sharp seam ripper and insert it into the seam from the right side and just pull upwards through the seam. This technique takes a bit of practice (and bravery) though as the potential to accidentally slice through the fabric is ever present. There’s a knack to getting the angle of the seam ripper just right though and once you figure that out, you’re golden.

In the end, the one sure way of becoming a faster tailor is by practice. The more often you repeat the same task, the more efficient at it you become.

As you do an alteration, try to think of ways you could save time: do you really need to flip everything back right side out then inside out then right side out again? Probably not. If you sew this first, will it make it easier to sew this? Or visa versa? Experiment and try things multiple ways until you’ve figured out the quickest sequence of steps for yourself.

I love discovering a new, faster way of doing something I’ve done a million times. Sewing is kind of cool like that: there’s always something more to learn and fresh tactics to uncover.