Category / Tips & Tricks

It Takes a Village
by Vanessa Nirode

It Takes a Village

I was thinking about writing a post this week about some of the favorite things that I’ve made throughout the years. But, once I really started trying to decide, I realized I had way too many ‘favorites’ to put in just one post, mainly because I’ve made a ridiculous amount of stuff. Truth be told, I can’t remember a lot of it.

Also, ‘favorite’, is a bit of a shifty word. I have favorites for all kinds of reasons: favorite fabric, favorite pattern, favorite last minute construction miracle, favorite vintage piece, favorite thing made without a pattern, favorite complicated pattern, favorite funky design detail, favorite sewing technique.

So, I decided instead to write a little about some of the most memorable things I’ve made. Most (perhaps all) of them listed here were for HBO’s Boardwalk Empire, designed by John Dunn and Lisa Padovani.

And speaking of designers…

I just want to clarify that every show and movie has a Costume Designer. Sometimes, on low budget and indie or college productions, the costume designer is the same person who also makes and shops the clothes. This is not the case on any mid to high budget shows. It takes a village to create the finished product. I didn’t design anything for Boardwalk Empire or any of the other major television shows and movies I’ve worked on as a tailor and pattern maker. I just make what is in the designer’s head.

How do I know what’s in the designer’s head?

Sometimes I get a sketch, sometimes pictures and photos from magazines and catalogues, sometimes vintage garments to use as a starting point, and sometimes it’s just a conversation with a scribbled line drawing on a manila oak tag.

And one other thing about the village: I made the patterns for all of the pieces to follow but, most times, I had the help of very talented tailors in the construction of the finished product.

A (partial) list of most memorables:

Outfit from an existing vintage pattern.

Outfit from an existing vintage pattern.

I used an existing 1930s vintage pattern for this ensemble. I altered the pattern slightly for fit. It’s a bit hard to see in the photo, but the jumper has an asymmetrical over lap opening in the front (that button is functional.) If I recall correctly, I did put together the blouse but I know that the jumper was constructed by one of the tailors in the shop, Amy.

Showgirl ensemble:

Showgirl ensemble.

Showgirl ensemble.

We made quite a few showgirl ensembles for Boardwalk but the sailor girls were my favorite. The trickiest part of any of the showgirl things was always the time constraints. We routinely had a week (at most) to construct the outfits, and this was on top of all the other things we were making and altering. Thankfully, the actresses playing the showgirls remained the same throughout the season so once I had their measurements I was able to pattern (relatively) efficiently and go straight to fabric without doing any sort of mock up. Any showgirl extravaganza was always a true group effort, as in the day before the costumes were needed, almost every single person in the shop was working on them.

Costume involving fish:

Costume involving fish.

Costume involving fish.

We made two of these for the final season of Boardwalk Empire. The fish have batting and wire in them to make them slightly three dimensional, and there are two more on the back. These took an especially long time as all the pearl trim had to sewn on by hand.

Complete outfit in shortest amount of time:

Complete outfit in shortest amount of time.

Complete outfit in shortest amount of time.

I will always remember this one. I had literally two days to get this done. On the morning of the first day, the actor came in for measurements. I started patterning as soon as he walked out the door. John (designer) found fabric he wanted to use that we already had in house so I was able to cut as soon as my patterning was done. I handed off the jacket pieces to one person and the pants to another and I put together the vest. The very next afternoon, I did the fitting. As you can see from the photo, the only changes needed were a sleeve and pant hem. This illustrates the importance of proper (and extensive) measurements.

Strangest costume:

One of the oddest costumes I’ve made were these lobsters, again for Boardwalk.

One of the oddest costumes I’ve made were these lobsters, again for Boardwalk.

One of the oddest costumes I’ve made were these lobsters, again for Boardwalk. I think the over bodice and sleeves were attached to the tail bit and it was put on like a coat, snapping and tying center front. I do remember the use of quite a large amount of wire.

Most adorable:

Most adorable.

Most adorable.

I patterned all of the boys’ things for Boardwalk. The principal men’s suits were made by Greenfield’s in Brooklyn but the in house shop that I ran always did the suits and jackets for the younger boys.

So that’s a short list of some of my most memorable projects. There are definitely many more though. One of the best things about my job is that there is always something new to make.

How to Sew a Square Pillow with Piping
by Charlotte Kaufman

How to Sew a Square Pillow with Piping

While conceptually the idea of sewing a square pillow case sounds easy, there are several things to consider when you undertake this task.

While conceptually the idea of sewing a square pillow case sounds easy, there are several things to consider when you undertake this task.

Go smaller

The cardinal rule of making your own pillow cases is to make them approximately an inch smaller than the pillow form you want them to cover. If you have a 22” x 22” pillow, you need to make the case 21” x 21”. Of course, don’t forget your seam allowances. If you use ¼” seam allowances, than you would cut a piece of fabric that is 21.5” x 21.5”.

The cardinal rule of making your own pillow cases is to make them approximately an inch smaller than the pillow form you want them to cover.

The cardinal rule of making your own pillow cases is to make them approximately an inch smaller than the pillow form you want them to cover.

Fussy cut

I normally wouldn’t advocate for drawing your lines on the front of your fabric, but this fabric by Hawthorne Threads needs to be cut to the size of the panel you want for your pillow case. When fussy cutting, sometimes drawing on the front of the fabric is necessary to ensure correct sizing. Haven’t heard of the term ‘to fussy cut?” It means to carefully cut out a piece of fabric for a specific purpose.

It means to carefully cut out a piece of fabric for a specific purpose.

It means to carefully cut out a piece of fabric for a specific purpose.

See the center pieces of these quilt blocks by Amy Gibson of The Cookbook Quilt Along? These are prime example of taking the time to fussy cut your fabric.

These are prime example of taking the time to fussy cut your fabric.

These are prime example of taking the time to fussy cut your fabric.

Choose your pillow back

Once you’ve cut your front panel, you’ll need to cut your back. You can finish pillows many ways. Check out my post from last fall on different options for pillows. I chose to do an envelope close, so I made cut two panels the same height as my pillow, but each was 13.5” wide. That allows for a folded, sewn hem on each of the ‘opening’ portions of the back panel.

That allows for a folded, sewn hem on each of the ‘opening’ portions of the back panel.

That allows for a folded, sewn hem on each of the ‘opening’ portions of the back panel.

Consider interfacing

For added pop, I fuse lightweight interfacing to the front panel fabric. It has such a gorgeous design that I want it to stay crisp and firm while it sits on my bed looking fabulous.

Curve your corners

This step is so important!! I have a small piece of cardstock that I’ve cut to help me round the corners of my square. Why would I do this, you ask? Because pillows are 2-3. They are big and fluffy and when you attempt to sew straight sides of a square you often end up with starfish points instead of nice, square corners.

I have a small piece of cardstock that I’ve cut to help me round the corners of my square.

I have a small piece of cardstock that I’ve cut to help me round the corners of my square.

This is an example of a pillow cover that didn’t have rounded corners before it was sewn. Trust me on this, it makes all the difference!

This is an example of a pillow cover that didn’t have rounded corners before it was sewn.

This is an example of a pillow cover that didn’t have rounded corners before it was sewn.

To pipe or not to pipe?

That is indeed the question. I love the contrast that piping gives pillows. If your machine has a piping foot, now is the time to install it.

If you are new to this step, consider pinning the piping in place. This is not my first rodeo, so I just sew and go.

Consider pinning the piping in place.

Consider pinning the piping in place.

Make sure your piping follows those slightly rounded corners. Don’t forget to snip the piping edge just up to the seam so that if folds nicely around each corner.

Don’t forget to snip the piping edge just up to the seam so that if folds nicely around each corner.

Don’t forget to snip the piping edge just up to the seam so that if folds nicely around each corner.

Now place your two backing pieces on top of the front panel, right sides together. Pin, and sew.

Now place your two backing pieces on top of the front panel, right sides together.

Now place your two backing pieces on top of the front panel, right sides together.

Not so fast

Once you’re done, YOU ARE NOT ACTUALLY DONE. No. Unpin everything and flip the cover right sides out. Carefully inspect all along the seams and make sure no thread is showing from the piping like you see here. If you find anything that needs to be tightened up, flip the pillowcase inside out again and resew the hem, making sure to sew just to the edge of the piping for a nice clean finish.

Carefully inspect all along the seams and make sure no thread is showing from the piping like you see here.

Carefully inspect all along the seams and make sure no thread is showing from the piping like you see here.

Flip the pillow right sides out and again carefully inspect it. If all looks good, turn it inside out AGAIN and then then trim the edges, especially around the corners so that the corners will fully turn out when you flip the pillow cover to the front again.

If all looks good, turn it inside out AGAIN and then then trim the edges.

If all looks good, turn it inside out AGAIN and then then trim the edges.

Finishing touches

Once you’ve turned your pillow case right sides out, run your fingers along the inside of the seams and fully push out the piping and corners, then iron to get out any wrinkles from the sewing process. Slip it onto your pillow form and voilà, you’ll have a wonderfully plush and SQUARE pillow case.

See the difference rounding those corners made?

See the difference rounding those corners made?

See the difference rounding those corners made?

Do you have any secrets for making the perfect pillowcase? If so, share them in comments!

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Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
Planning Your Pieces
by Connie Smith

Planning Your Pieces

One of the most important things you can do when beginning a quilt is to plan out your pattern. By this idea, I don’t just mean picking what pattern you want to buy in a store, but also planning out how the pieces of your project will fit together. That kind of pre-thought can make a difference in the appearance of a final product!

Let’s say, for instance, you decided to make a blue-based quilt, and you have a number of types of fabric to use for the product. If you don’t plan out how the pieces will go, you could end up running out of one particular style before the end, so the final portion is suddenly void of that one fabric. If you, like me, want a quilt that looks more balanced than that, then planning ahead can give you that quality.

Let’s think about where this is going…

Beyond that point, making these decisions beforehand can also ensure that you don’t pile a series of similar fabric all in one area. Otherwise, your product could look like this not-so-beautiful piece of artwork I created with my not-so-wonderful skills at Paint.

Otherwise, your product could look like this not-so-beautiful piece of artwork I created with my not-so-wonderful skills at Paint.

Otherwise, your product could look like this not-so-beautiful piece of artwork I created with my not-so-wonderful skills at Paint.

See how the same shades of blue are really close together? Now, imagine, what it would look like had I just mixed the fabrics in a more thorough way. The overall result could’ve been much more balanced, which to me, is a better strategy! And that’s the beauty of planning: No matter what your preference is, you can make sure you end up with a quilt that reflects it!

Lay out your quilt pieces on the floor & continue to adjust them until you come to a pattern you decide is right.

Lay out your quilt pieces on the floor & continue to adjust them until you come to a pattern you decide is right.

Options

So the question arises about how to plan out those details. There are a couple of options available that you can use right in your own home! The easiest and least-costly method between the two I’ll cover is to lay out your quilt pieces on the floor and continue to adjust them until you come to a pattern you decide is right. You don’t need any extra materials for this stage at all, and so long as you have the free floor space, you have this opportunity right at your fingertips!

A quilt design area on your wall.

A quilt design area on your wall.

The other option is a quilt design area on your wall. This one might cost you a bit of money since you have to buy the supplies for it (though those supplies can be as simple as clips!), and you might find that you have to rearrange your wall décor to make room for it. Still, it’s a better candidate than the floor method if you want to eliminate the possibility of having your quilt-in-progress trampled by feet or if you just don’t have the right amount of space available for a clear plan-out area. Once you construct the design wall, you can start pinning and planning, shifting around your fabric blocks until everything fits in a way you’re comfortable with!

Start pinning & planning, shifting around your fabric blocks until everything fits in a way you’re comfortable with!

Start pinning & planning, shifting around your fabric blocks until everything fits in a way you’re comfortable with!

From that point, there are a number of ways to remember the quilt structure that you’ve planned out. Sure, if you’re using a quilt design wall, you could take it a bit at a time over to your sewing machine and just leave the extra pieces in place on the wall until the time comes to use them. But if you want a method that doesn’t involve leaving your pieces there — or if you’re using the floor method — you might want to think about alternative tactics!

One idea is to take a picture of what you come up with. If you do that, you can use it as a point of reference as you go through piecing your quilt together. By following the design you created, your quilt can turn out just as beautiful as you meant for it to!

Collate your blocks

Another option would be to keep your pieces in the order that you’re going to use them. As you take them up from the floor or off the wall, make sure you’re doing so in the exact order they’ll appear. You could start from the top or the bottom corner and progressively layer your quilt pieces on top of one another as you go. With this strategy, your blocks are in the order you wanted them, so you can just go through your stack one piece at a time to recreate your pattern!

But whatever your planning and preserving methods are, the important thing is to be thorough with them. Take your time, both in pinning or sorting those pieces, and in keeping them in sequence, so that errors are less likely to happen. When you have a well-balanced and well-considered quilt as the reward for your efforts, you’ll be glad you did!

Funky Design Details in Men's Shirts
by Vanessa Nirode

Funky Design Details in Men’s Shirts

I alter a lot of men’s long sleeve button front shirts at work. We use a variety of brands, each of which usually has its own little signature detail or cut. I can often tell what designer brand a shirt is without having to look at the tag.

I suppose, though, that as a designer at Rag & Bone or Varvatos, or Paul Smith, or the like, you can find yourself hard pressed to come up with some new, unique detail that makes your shirt special. Contrasting fabric on collars and cuffs has been done, funky buttons have been done.

Sleeve and center front plackets in a different fabric: done. Welt breast pockets. Done. Stand collars, unfinished seams, all of it, has been done. At times, I think there isn’t anything new left to do. I was pretty sure I’d seen it all when it came to cool, weird, and even sometimes bizarre design details on mens shirts.

Varvatos shirt showing collar stand unattached from shirt body.

Varvatos shirt showing collar stand unattached from shirt body.

But, John Varvatos proved me wrong. The newest feature on their long sleeve button front shirts is to leave the part of the collar stand that contains the button – you know, the portion that extends past the collar and is, essentially the center front overlap – unattached from the shirt body. Odd, because, if the shirt is buttoned, it really doesn’t look any different. And if the shirt isn’t buttoned, it kind of looks like a rip or tear.

Varvatos shirt with collar stand pinned and ready to sew.

Varvatos shirt with collar stand pinned and ready to sew.

I spent some time last week sewing collar stands to shirt fronts. I do, though, have to give the designers at Varvatos kudos for coming up with something I hadn’t seen before. It also ensures that, in the future when I see that particular detail, I will automatically know it’s a Varvatos shirt. So, good job on the branding. 🙂

To do list

While I’m on the subject, here’s a short list of design (or construction) element quirks that tend to be slightly annoying to film and television customers.

Rag & Bone with their painted white buttons.

Rag & Bone with their painted white buttons.

Rag & Bone and their painted white buttons.

They put the same painted white buttons on most every shirt. The buttons are kind of cool in a shabby chic-look-at-me kind of way but, the last thing you want when filming are shirt buttons that upstage the person wearing the shirt.

I’ve wasted many an afternoon, replacing those buttons with normal, non-descript ones.

Brooks Brothers and the glue they insist on using in their seams.

Taking apart a Brooks Brothers shirt is no quick and easy task – the stitches are miniscule and, as if that’s no enough, they use some sort of glue in their flat felled seams.

Ralph Lauren Polo.

Ralph Lauren Polo.

Ralph Lauren and the polo horse logo.

We’re rarely able to use any piece of clothing on a film or television show with an obvious logo for legal reasons. Most shows need clearance to use anything that clearly advertises a particular brand.

I can tell you that removing those cute little polo horses takes a really long time.

Any shirt that says it’s a ‘slim fit’ yet still has a back pleat.

I think I’ve written before about removing the back pleat (or pleats) in button front shirts. These are the pleats in the shirt body where it joins the yoke. They exist to add a good amount of ease to the shirt through the body. The only thing is, in the world of film and television they just end up looking bulky, a bit messy, and definitely not slimming. So I take them out. If I have the time, I usually take the entire back off and recut it, moving the armseye and side seams in the appropriate amount. If it’s a quick and dirty thing, I just throw some side back darts in and hope there isn’t a close up of the actor’s back.

That’s all I’ve got today though I’m sure there are more. I’ve got to get some sewing done now.

There’s a pile of Varvatos shirts on my table that need the collar stand stitched to the shirt body.

Sewing Room Organizing: The Rules
by Millie Green

Sewing Room Organizing: The Rules

Sewing Room Organizing: The Rules

Sewing room organizing can be a constant battle. That’s because creative folks make lots of things, including what my dear calls “creative explosions.” I just call these big messes. You know what I mean: quilt trimmings & other scraps on the floor, piles of fabric or other supplies on the table, idea books scattered about, bins & boxes pulled out with their contents askew and similar messes.

I battled this kind of mess for years. But I seem to have finally developed the skill of keeping order in my creative room. For example, the days between Christmas and New Year have historically been sewing room organizing time for me. But last year after Christmas, I was surprised when I realized I didn’t have any sewing room organizing to do. In years past, I have worked busily making gifts, moving from one project to the next, and letting messes pile up around me until the holiday passed.

I can’t stand to do that anymore. Instead, I clean up thoroughly after every project, before moving to the next. Since learning to do this, and by vigilantly following a few other rules that I have discovered which help to ensure order, I have enjoyed my creative pursuits more than ever before. I think these sewing room organizing rules will help you, too, if you haven’t discovered them for yourself yet.

Whether you need to clean up after your own creative explosions or you want to prevent their occurrence in the first place, keep these rules in mind.

Sewing room organizing rule one: machines first

It might not sound like sewing room organizing, but the very first thing to do is to give all of your machines a thorough cleaning. This is the most important task in cleaning up messes in the sewing room.

If your floor is littered with threads and clippings, I guarantee your machines have similar build-up inside. And continuing to sew with a dirty machine will cause it to break! So get your chosen brush and sweep and clean every machine in your room really well.

It's easy to miss a spot.

It’s easy to miss a spot.

Keeping machines clean

For sewing machines, remove the bobbin casings and take particular care in cleaning out inside and behind these. For sergers, sweep out every nook and cranny. When you think you’ve gotten it clean, sweep it out again. It’s easy to miss multiple spots. You can spend a lot of time sweeping out a serger repeatedly, and still not get it completely clean. Unless you have a magic tool, that is. The best thing you can buy to ensure a longer life for your machines is a tiny vacuum attachment to help get them really clean.

Always cover your machines to prevent unnecessary build up of dirt or dust when these are not in use. If your machine did not come with a hardcover, you can sew a pretty one yourself.

After cleaning, oil your mechanical-only machines according to their user manuals.  Don’t oil your computerized or electronic machines at home; take them to Sewing Machines Plus or your local repair shop for yearly maintenance.  Go ahead and take them in now so this will be done. If you cannot be without them right now, schedule this on your calendar to be handled as soon as possible. If you neglect your machine maintenance you will regret it. For future reference, a good plan to avoid being without your machines when you need them is to send them out for maintenance while you are on vacation.

Sewing room organizing rules 2 & 3:

Have ample workspaces

Keep them clear

After your machines, the most important things to consider in sewing room organizing are your workspaces. It is not possible to work efficiently without ample space.  If you are using more than one machine, such as a sewing machine, a serger and a coverstitch or embroidery machine, you need enough space to have them all set up. You also need table space for cutting and layout.

It is best to have the largest table that will comfortably fit in your room in order to provide ample space for working. I have a kitchen table in my room that I keep clear for cutting, and separate desks for my machines. I reconfigure machine placement depending on the project, however. When I am working on a bed sized quilt, I place my machine on the big table, so it can support the quilt. Having multiple workstations enables flexibility.

If your sewing room lacks enough space to house such a large table, Sewing Machines Plus has an excellent option for you to consider. The Arrow Pixie cutting table doesn’t take up much space when folded compactly, but opens to provide table space for both cutting and sewing. It even has measurement guides and comes with a cutting board. It’s super cute, too.

Keep tables clear!

Ample work space will do you no good if they are covered with unfinished projects, supplies, or irrelevant items. My favorite rule for making sure that my creative space stays organized and is always ready for working is to keep all work spaces clear. I do not allow myself to store any items on top of my table top or desks, other than machines, of course. But because I reconfigure my machine placement according to what I am working on, I prefer to store most of them, covered, on shelves.

This way, you can keep your table and desks clean and shining, waiting for you to make something new whenever it suits you.

Other rules to remember

There are several other rules that have helped me to keep my sewing room neat and organized. Following these rules will help to keep your room working well for you, too.

  • You can’t organize clutter; keep unnecessary items out of your room.
  • Be creative with storage. For example, to maximize working space in my sewing room, I use an antique wardrobe and chest of drawers in the next room. The beauty of these storage pieces blends nicely with my family room décor. These happily hold my fabric, trims and notions, and other less often used items, such as my looms. Here are some DIY projects for creative storage solutions which will work inside the sewing room.
  • Keep like things together. Rather than storing tools all over the place, use a bin or other storage solution to keep these neatly together. The same goes for thread, notions, and etc.
  • Let the fabric live at the store. I am no longer tempted by fabric clearance sales and refuse to buy fabric to stash. I have learned that stashed fabric steals time, space, and money, so I do not buy any without a particular project in mind. Pretty quilter cottons are the only exception I make to this rule, as I know for sure that I will put these to use. Be a savvy shopper and take advantage of sales for stocking items you must have and will use. For example, I only buy white and neutral thread, and also cotton batting, when it is on sale.
  • Finish what you start. It is easy to get excited about new projects, but for keeping order, it is much more sensible to complete each project before starting another.

Do you have any other useful rules for keeping order in your sewing room? If you do, please add a comment and share it with us.

How to Make a Hidden Button Placket
by Vanessa Nirode

How to Make a Hidden Button Placket

Last week, I waxed on about all the endearing qualities of my Industrial Juki straight stitch machine and I promised that, next, I’d write a little bit about my other favorite sewing machine, a vintage tan and white Singer 401K.

But then, this week at work, I spent a couple days making women’s button front cotton shirts for the character of Zapata on Blindspot. I’ve made her quite a few shirts over the course of this season. I created the pattern from her measurements and referencing how she liked the fit of a few off the rack shirts. She doesn’t fit into any brand without altering (she has a very small waist but is still curvy) so the costume designer and I decided we might as well make custom shirts for her.

So far it seems to be turning out quite well:

http://www.imdb.com/title/tt4474344/mediaviewer/rm2804286976

http://www.imdb.com/title/tt4474344/mediaviewer/rm3758241792

Shirt making

I am not, by any means, a master shirt-maker (those do exist like the man who wrote Shirtmaking, developing skills for fine sewing). His name is David Page Coffin and he is definitely a shirt-making master. His book is filled with many helpful tips and suggestions. I reference it now mainly for the sleeve placket instructions and pattern. For some reason, no matter how many times I make a shirt, I always need a little reminder as to which way to begin a proper sleeve placket attachment.

Sleeve placket instructions from David Page Coffin’s book.

Sleeve placket instructions from David Page Coffin’s book.

Never feel bad if you need to look something up, especially if it’s a technique you don’t do on a regular basis. There are always new things to learn (or remember).

Concealed buttonhole placket

Another element of shirt making that took me awhile to be able to do without looking up a reference picture was making a concealed buttonhole placket. I’ve finally got it etched in my brain though – at least I think so.

The first step is to decide how wide you want to finished placket to be. I use an inch (1″) for ladies’ shirts but some people do an inch and ¼ (1 ¼”) or an inch and ½ (1 ½”).

Next mark out your fold lines on your pattern or fabric. You’ll need an extra four to six inches past the center fold/finish line.

Fold lines marked a numbered on pattern piece.

Fold lines marked a numbered on pattern piece.

Starting out from the center fold line, measure out ½” and draw a parallel line. This is the seam allowance line. Many commercial patterns use 5/8″ as a standard seam allowance so if you’re adding a hidden placket to a store bought pattern, check to see what they’ve used and do the same.

Then draw three more lines, each 1″ apart. Finally, mark your cutting line ½” from the last line (or whatever seam allowance you’re using).

To help explain and keep track of your folds, number your lines starting with the outermost one: 1, 2, 3 and 4.

Press lines 1 and 2, wrong sides together. This is the part that will get the buttonholes. You can mark and do them now or, as I usually do, you can wait until you’ve got everything pressed and secured. I also press the 1/2″ outer seam allowance but do not leave it folded under – it’ll get caught inside the seam once you’re done.

Almost there

Fold along lines 1 and 2.

Fold along lines 1 and 2.

Next, accordion fold the remaining fabric. Fold along line 3, right sides together, then line 4, wrong sides together. Press.

Once you’ve done this, open the placket up so that its double wide with the seam allowance toward the front edge of the shirt. Topstitch along line 3 (which will be 1″ or however wide your placket is from the fold center fold line).

Open the placket up to topstitch.

Open the placket up to topstitch.

Once you’ve done your button holes, you’ll need to sew small hand tacks in between each hole to keep the placket from opening up (and essentially defeating its purpose of being hidden).

Voila!

Shirt almost finished in dress form.

Shirt almost finished in dress form.

And next week, unless something more interesting comes up, I’ll continue on with my favorite sewing machine ruminations.

by Sarah Woodard

Sewing for All Seasons

One of the things I love best about sewing as opposed to some of my other creative ventures is that I can do it any time of year. In the fall and winter, I can make blankets, jackets and other warm items. During the spring and summer months, I can make cute skirts and dresses and flowy decorative items. The different material weights and textures means it’s never too hot or too cold to sew! Here are some of my favorite projects for each season.

Sewing for All Seasons

Sewing for All Seasons

Winter

When it’s cold outside, there’s nothing better than lighting a fire and sewing something with warm, cuddly fabric.

Flannel Blanket

I absolutely adore flannel. It’s always warm and gets softer with each washing. This cozy blanket is easy to do and can be made in any size you like. We’re big on throw blankets in this house, so that’s what I did. Because flannel is available in so many colors and patterns, it’s easy to find something that will match your home and your personal style.

Dinosaur Hoodie

The challenge with winter is that kids are stuck inside. This sewing project will keep you warm and provide them with hours of imaginative play. Can you say “roooarrrr!”? Your kids will love playing dinosaur with this hoodie. Make a couple of the neighbor kids too and have a dino party!

Spring

Spring is a time of renewal. The weather warms up and life starts to return to the great outdoors. It’s still a bit cool to go out and enjoy it without a light cover up and there can be days on end of rain keeping you indoors. That’s where these sewing projects come in!

Napkins

Spring is often a time when we entertain more. We can open the windows and doors and guests can flow in and out without tracking snow, ice and dirt. Depending on the occasion, setting a pretty table can be part of the deal as hostess. Check out these colorful napkins. They’re perfect for spring and summer and a conversation starter too!

Picnic Blanket

It might be a bit cool yet to have a picnic, but it’s never too early to plan for one. This adorable picnic blanket is a great spring sewing project. While you’re inside working on it watching birds and other life return to your yard, you can daydream about that first picnic of the year. Won’t it be great with this new blanket?

Summer

Summer is all about hot days, trips to the beach and keeping cool. You may not be spending too much time with your sewing machine, but that’s okay. These quick projects won’t get you overheated – instead they’ll help you keep cool once they’re done.

Towel Wrap

I don’t know about you, but I’m not a fan of getting out of the pool or ocean having to struggle with my towel. This fabulous towel wrap means I can keep my hands free for a drink and a book while still staying dry. Even better – it upcycles towels that might otherwise get tossed.

Wine Bag

To go with that lovely picnic blanket you made during the spring, you need a wine bag to tote your bottle for that elegant picnic. You could also use it as a wine gift bag if you need to bring a gift to a house party. It works up quickly and can be made for any style you can imagine.

Fall

I love fall! The changing leaves, the crisp air and the smell. It’s somehow romantic in a way. While I’m going to spend as much time outdoors as I can, there are some great fall sewing projects for those dreary fall days when I can’t get out.

Pillow

I love this! Making this pillow means I can bring some of the fall colors inside while using up some of my scrap stash. Don’t have all the colors? No problem! Remnants are cheap and easy to find in every color and pattern you’ll need.

Coasters

As much as I love fall, I dislike rings on the coffee and end tables as strongly. These adorable leaf coasters solve the problem while bringing all my favorite fall colors into the décor. I personally went for more realistic fabric colors, but you can do whatever you like.

What are some of your favorite seasonal sewing projects?

Different Types of Thread and When to Use Them
by Charlotte Kaufman

Different Types of Thread and When to Use Them

Have you ever gone to the fabric store and been overwhelmed looking at the vast assortment of thread for sale? If so, then fear not, for I will help to break down the mystery of thread and how to use it in all its various types.

To start, consider where you are going to store your thread. I’m a highly visual person and I like to see what I have on hand. I also find looking at thread to sometimes motivate me or inspires me to begin on new projects. I created this thread display in my sewing room using Ikea picture frame shelves (Ikea Ribba) and I added small nails to hang my bobbins by the corresponding color of thread.

I added small nails to hang my bobbins by the corresponding color of thread.

I added small nails to hang my bobbins by the corresponding color of thread.

I live in a rural area, three hours from the nearest Joann Fabrics. Because of that I keep an Aurifil Thread Color Card so I can easily order the exact shade of thread I need. It also looks beautiful too, no?

Thread Weight

When choosing thread, consider the thread weight. A quick breakdown of Aurifil’s brand thread weights (and their many great brands of thread, including Guterman and Coats & Clark) looks like this:

12wt: Use it for sashiko & red work stitchery. This is the thickest thread in the Mako’ range.

28wt: It is strong enough to withstand the stress of hand quilting without needing to be glazed or waxed.

40wt: Favorite thread for machine quilting and all-purpose sewing. A little heavier to show off the quilting stitches.

50wt: Quilters love it for its piecing and quilting. A staple for every sewing studio.

80wt: This is the finest Egyptian cotton, for use by hand or machine. Your new ‘go to’ thread for applique and much more.

~ Thread descriptions from Hawthorne Threads

Buying at a fabric store is actually a little easier than sussing things out online because they divide thread into sections so you can quickly scan for ‘quilting’ or ‘embroidery’ or ‘heavy duty/jeans.’

I keep my standard, quilting cotton weight threads organized by ROYGBIV (red, orange, yellow, green, blue, indigo, violet).

I keep my standard, quilting cotton weight threads organized by ROYGBIV (red, orange, yellow, green, blue, indigo, violet).

ROYGBIV: red, orange, yellow, green, blue, indigo, violet.

I also keep my neutrals and browns organized by gradient.

I keep my neutrals & browns organized by gradient.

I keep my neutrals & browns organized by gradient.

Buying a lot of shades of one color can greatly help when working on projects with a ton of variation in the same tone, like in this quilt I recently finished. I used five different shades of brown and black to finish the horse.

 

Utility/Novelty Threads

These are threads you reach for when you need to pull out the big guns or you are just doing something different. I use some of these heavy weight threads for upholstery, corduroy, vinyl, or very thick or unique fabrics.

I use some of these heavy weight threads for upholstery, corduroy, vinyl, or very thick or unique fabrics.

I use some of these heavy weight threads for upholstery, corduroy, vinyl, or very thick or unique fabrics.

This is my tub of very heavy duty threads. I use them on marine projects and with my industrial sewing machine.

This is my tub of very heavy duty threads.

This is my tub of very heavy duty threads.

Variegated Thread

I saved these threads for last because they are my favorite. If you haven’t tried sewing with them yet, I encourage you to start today. The richness of their color variation is an absolute delight to the eye and often can take your projects to a whole other level.

I used two spools of variegated thread on this quilt. The blue/rainbow you can see here.

The blue/rainbow you can see here.

The blue/rainbow you can see here.

And the gorgeous bright yellow here.

You can see the gorgeous bright yellow here.

You can see the gorgeous bright yellow here.

Of course, with different threads you will need different needles, but I’ll save the topic of needles sizes and shapes for another post. What are your favorite types of threads? Let us know in comments!

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Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
by Connie Smith

Storing Your Fabric

As I wind down in the steps for making my quilt, I’m finding that I have fabric scraps left over from the endeavor that I really don’t want to toss. One of the problems though is that I have a very lacking fabric storage setup. In fact, it consists of stuffing fabric into a remarkably unprofessional Hello Kitty pail (Note: I don’t even like Hello Kitty). Once that happens, I put the pail into my closet. Since said closet kind of overflows at times, the method is even more lacking than it would otherwise be.

I want to keep this fabric, but I’d like to have a better strategy of doing so. That idea had me browsing some possibilities online, and some of the options I saw were pretty basic.

Simple Solutions

For instance, clear storage bins or canvas bins.

For instance, clear storage bins or canvas bins.

For instance, clear storage bins or canvas bins. While these are simple and efficient ideas for keeping my fabric in order, the truth of the matter is that they’re also, at the moment, things that would probably end up getting stashed away in my closet. As one of the qualms is that my fabric is stored in my closet, neither option fixes that detail.

At least, not alone. If I had a method of storing those bins out in the open, they’d work fine. In any event, the insufficiency could certainly lead to more searching in regard to the best (complete) fabric storage option.

The most fitting right now is the notion of keeping excess fabric pieces in a jar.

The most fitting right now is the notion of keeping excess fabric pieces in a jar.

So during my search, did I have find the perfect one? That might be a complex question since I’m not sure there is a perfect one, but I did find some that are worth mentioning. The most fitting right now is the notion of keeping excess fabric pieces in a jar. I’m not sure I’d ever considered using my extra fabric in a way that actually makes it decorative even before I use it for a sewing project, but I like this concept. Most of the fabric that I have remaining is block-ish, and that smallness of leftovers seems spot-on for the store-in-a-jar method. All I’d have to do is get a jar, fold up my scraps nicely, and let the storage add accent to a room before the pieces potentially add accent to a future project. A similar idea is to store those scraps in kitchen bowls or strainers, like you can find here, or maybe a flower vase.

A similar idea is to store those scraps in kitchen bowls or strainers, like you can find here, or maybe a flower vase.

A similar idea is to store those scraps in kitchen bowls or strainers, like you can find here, or maybe a flower vase.

One is to take the drawers out of a dresser, and once the furniture has been treated so that it looks finished and ready, fabric can be stashed where the drawers used to be.

One is to take the drawers out of a dresser, & once the furniture has been treated so that it looks finished and ready, fabric can be stashed where the drawers used to be.

Two of the more intriguing fabric storage options I found might be more suitable for a time when/if I have more room and/or extra cash. One is to take the drawers out of a dresser, and once the furniture has been treated so that it looks finished and ready, fabric can be stashed where the drawers used to be. I adore this idea, but it’s a project itself! Be aware though that if you don’t want to go through all the sanding and painting to prepare the furniture, you could still use a dresser, drawers intact.

Be aware though that if you don’t want to go through all the sanding and painting to prepare the furniture, you could still use a dresser, drawers intact.

Be aware though that if you don’t want to go through all the sanding and painting to prepare the furniture, you could still use a dresser, drawers intact.

Another option is this square shelf idea that hangs on the wall. This one is particularly of interest if, like me, your bedroom, sewing room, etc. is already pretty full of furniture. When that’s the case, going upward seems like a reasonable option, and that’s exactly what this shelf would do! Being the nerd I am, this square setup appeals to me more than a different shelf idea might because it’s comic-book-ish, but that’s not to say that squares are the only possibility for this method. In fact, you might find that you have some kind of old furniture around your house that can be repurposed for this prospect — like a headboard. There might be plenty of possibilities if you spread your imagination to find them!

Another option is this square shelf idea that hangs on the wall.

Another option is this square shelf idea that hangs on the wall.

Another option is a lot simpler, but might cost more — and that’s to buy a piece of furniture that’s specifically for this purpose. This hutch, for instance, makes a wonderful and aesthetically pleasing storage area for fabric, and other than price and space, I wouldn’t hesitate to have one of these in my home.

This hutch makes a wonderful storage area for fabric, and other than price & space, I wouldn’t hesitate to have one of these in my home.

This hutch makes a wonderful storage area for fabric, and other than price & space, I wouldn’t hesitate to have one of these in my home.

But as breathtaking as these furniture options are, the truth of the matter is that I’ll probably have to start with something easier and more money-friendly. Given that the majority of my current fabric collection is scraps and/or block-ish pieces, my best bet for advancement might be the jar or strainer method, which I’m okay with!

Still, someday, that hutch, that shelf, or that dresser would be a wonderful addition to my sewing life!

Keep Warm with These Fleece Projects
by Millie Green

Keep Warm with These Fleece Projects

These Fleece projects will keep you cozy and warm

I don’t know about you, but if you ask me, this Winter can’t end soon enough. I’m dreaming of warm weather and beach trips, but the reality is that it is cold outside. On cold winter days, there is nothing cozier than fleece. So I’ve scoured the net to round up some fun fleece projects for you to sew.

Tips for Sewing with Fleece

Fleece projects are generally easy to sew, but only if you know some tricks for working with this unique fabric:

Needles – Some folks prefer to use a universal point needle when working with fleece. If you choose this type of needle, be aware that fleece will dull these quickly and you will need to change needles often. I find a stretch or ball point needle works better and use these instead for sewing fleece projects. Regardless of needle type, I use use size 14 for fleece.

Foot selection – A roller foot or an even-feed foot (also known as a walking foot) will be most helpful. Reduce presser foot pressure to allow for the extra bulk.

Stitching – I prefer to sew with a stretch stitch for fleece. If your machine does not have a stretch stitch, you can use a narrow zig-zag stitch instead. For straight stitching, use a slightly longer stitch length, about 3.5mm, to prevent skipping.

Thread – Fleece is not only tough on needles; it can also be tough on thread. Don’t try sewing fleece projects with cotton or cotton/poly thread, as this may ravel or break. To prevent breakage, use 100% polyester thread.

Other tips –

  • Don’t use an iron on fleece, as it has a very low melting point.
  • To know which side is which, pull the selvedge taut; fleece will roll slightly on the wrong side.
  • It is difficult to undo stitches from fleece, so work slowly and carefully to avoid mistakes.
  • Clean your machine frequently when working with fleece, as it has a tendency to shed fibers.

And now, for my favorite fleece projects:

Fleece Projects: Hats and Headbands

A U.S. Army survival manual from 1957 claimed we lose 40-45 percent of heat from our heads. There is some controversy about this figure, and this may be overestimated. Regardless, you lose less heat from your head when it is covered!  There are many cute ways to cover heads with fleece, here are just a few.

Delia shows how to embellish a simple ear warmer headband with a huge fleece flower.

Delia shows how to embellish a simple ear warmer headband with a huge fleece flower.

Fleece Projects: Scarves

A fleece scarf can help keep you warm and fashionable, too. You can make one in mere minutes.

Scarflette, courtesy of Leafy Treetop.

Scarflette, courtesy of Leafy Treetop.

Fleece Projects: Mittens and Gloves

  • Make It and Love It shows how to make a pattern for adjustable mittens to fit anyone.
  • These fleece mittens are even easier to make and feature two layers for extra warmth.
  • Here’s how to make fleece gloves with gussets.
  • Ruffled fingerless gloves couldn’t be cuter. These only look complicated; they are actually easy to sew.

Fleece Projects: Footwear

  • This instructable shows how to make fleece socks from a blanket. If you’d rather not cut up a blanket, you could use fleece yardage instead.
  • Here’s a video tutorial for making dainty, ladylike slippers from fleece.
  • These fleece slippers will keep your ankles warm, too.

Fleece Projects: Pants

Nothing is more comfy and cozy than fleece pajama pants. Simply Modern Mom shows to make them using your favorite pants as a pattern. The tutorial is for child’s pants, but you can use this method to make them in any size. If you don’t have a favorite pair to use for making your pattern, of course you can make fleece pajama pants using most any pajama pattern in your stash.

Fleece Projects: Sweater

Here is a tutorial for making a lovely cowl-necked sweater from fleece that is as impressive as it is comfortable. The cowl neck is quite versatile. This can be worn in different ways, depending on the temperature outside.

Fleece Project: Caftan

When it’s really cold and all you want to do is stay cozy indoors, you’ll appreciate this easy fleece caftan. This is even better than the popular snuggies, as it covers both your front and your back sides.

Fleece Projects: Coats and Capes

Fleece outerwear is great because it’s warm, comfortable, and even repels water on wet and drizzly days. You can choose something easy and unstructured, such as a poncho or cape, or go with something more detailed, like a jacket or coat.

  • This instructable shows how to make an easy poncho that’s also pretty.
  • Here are several ways to make a beautiful long cape, with hood or without.
  • This little girl’s cape includes a collar and dressier design details.
  • Craftsy has collected 6 different jacket patterns. This link has something for everyone.
My personal favorite fleece coat is McCall’s pattern 5987. This coat includes a built-in scarf that can be styled several different ways.

My personal favorite fleece coat is McCall’s pattern 5987. This coat includes a built-in scarf that can be styled several different ways.

My personal favorite fleece coat is McCall’s pattern 5987. This coat includes a built-in scarf that can be styled several different ways.  It has an attractive rounded hem that looks great with both skirts and pants. I have made this coat in camel, in charcoal, in navy, and one in red as a gift for my mother. I get lots of compliments on these coats every time I wear them. While they are fashionable outerwear, they are also so cozy that I wear them as an extra layer in the house all the time. Maybe I should make a fleece robe, because I don’t have any robe that feels near as nice over my nightgown as these coats do.

Fleece Projects are Fun

Don’t be afraid of fleece. It is different than other fabrics, but nothing compares to the comfort fleece offers. I also think of this fabric as being more environmentally friendly than many others, since it is often made from recycled plastic bottles. Sewing on fleece is easy if you know the tips and tricks shared here. I hope you will try some of these fleece projects this season and enjoy them for many winters to come.