Tag / New York

Christmas Tree Turtlenecks
by Vanessa Nirode

Christmas Tree Turtlenecks

Its finally autumn in New York City. The temperature dropped this past week and people broke out their jackets and sweaters and knit caps. The kids are back to school and if you’re out and about around three or four in the afternoon, you’ll likely encounter gaggles of uniform clad youngsters walking home from school and stopping into the corner bodegas for gum, nail polish, or comic books.

I was one of those super nerdy kids who always liked going back to school. I especially enjoyed getting new clothes for the occasion. When I was of elementary school age, my mom still made a lot of my clothing (and that of my three brothers). We were those kids who had matching plaid pants and skirts because Mom would buy a couple or three yards of a fabric and use it to make something for each of us. I didn’t mind so much. I thought my two little brothers were super annoying but, my big brother, who is 18 months older than me; well, I thought he was the best. I didn’t care that my red and white plaid skirt was made from the same fabric as his pants. It showed we were related and I was ok with that.

matching shorts and jumper for my birthday

matching shorts and jumper for my birthday

Mother knows best

Mom also went through this phase of embroidering designs on the fronts of plain cotton long sleeve turtlenecks for me. I have no idea where she found the time to do this. I remember having a red one with a Christmas tree on it and a brown one with flowers. I was a true child of the 70s and my Mom, always hip, dressed me like one, even when she couldn’t afford to buy me brand new clothes.

Mom made long skirt and plaid pants for Santa visit. My brother and I were very stylish.

Mom made long skirt and plaid pants for Santa visit. My brother and I were very stylish.

I also remember the huge JC Penny, Sears, and Montgomery Ward fall and Christmas catalogues. I would spend hours going through them, turning down the corners of the pages with items I hoped maybe Mom could buy for me. My parents were pretty good budget makers and keepers and somehow managed, even with four kids on a high school principal’s salary, to still be able to buy all of us some new clothes for the every year for back to school.

To Black Friday or to not Black Friday

We never actually ordered from the catalogues. I’d pick out what I wanted and then we’d all pile into Mom’s van and head to the mall where the JC Penny store was. Then, I’d spend hours searching the store for the pieces I’d ear marked in the catalogue. I thought that whole thing incredibly fun – which is rather ironic because nowadays I abhor shopping in actual stores for clothes and, on the rare occasions that I purchase new wardrobe items, buy most everything online.

Somehow, in my old(er) age, I’ve grown to dislike mass produced apparel of any kind, and shopping in general.

Unless, that is, I’m buying something cycling related. I go hang out in my preferred local bike shop even when I don’t necessarily need something. I’ve spent time thinking about the why of this and have come to the (fairly obvious) conclusion that the reason I’ll go to the bike shop in person and am completely fine with paying a bit more for things I could get at a slightly discounted rate at an online super store, is for the free, excellent cycling (and local food and bar) advice and recommendations from the bike shop owner and employees.

No flavor to savor

Everything in the stores these days looks the same to me and nothing looks like me anymore. Perhaps this is just a common occurrence, or realization, that manifests as you get older. I never wanted to look like everyone else, not even way back when I picked outfits from the JC Penny catalogue. Before everyone could buy anything they wanted from anywhere online, I used to beg Mom to take us to the mall the next county over because the stores carried different things than the stores in our local county mall. Then I was able to get things that no one else at school would have.

I think that’s probably why I loved those embroidered turtlenecks my Mom used to make me so much. Nobody else at school had a shirt just like mine. And I could even claim to have helped pick out the design. Guess I was indeed destined to end up sewing and creating for a living.

The Christmas Tree Turtleneck. Not a great photo of it but the only one I could find. Note that my brother (sitting across from me) is wearing a turtleneck in the same color.

The Christmas Tree Turtleneck. Not a great photo of it but the only one I could find. Note that my brother (sitting across from me) is wearing a turtleneck in the same color.

Be true to yourself

In this world of factory mass-produced disposable goods, individual style is truly a wondrous thing to have. So cultivate yours and that of others as much as you can. Make something for a child in your life, even if its as simple as embroidering a cheesy design on a cotton turtleneck.

You can find some great embroidery designs right here at Sewing Machines Plus to get you started:

Buying Carpets and Books in Pakistan
by Vanessa Nirode

Buying Carpets and Books in Pakistan

I have a confession to make. A month or so ago when in Pakistan, I bought a $1500.00 carpet. Now, before you think that that is an inordinately high price for a carpet, I just want to say that it’s a handmade Kazakh rug. And I talked the store owner down from his original price of $4000.00, which I think is a pretty admirable demonstration of bargaining skills.

The carpet is a large one, four feet wide by six feet long. It’s made up of a bunch of four-inch squares with intricate multiple geometric and realistic images. It’s also a dimensional rug, having raised yarn borders around the squares. Bulbous tassels adorn the sides. The colors are all muted tans, yellows, golds, burgundies, greens, and blues. Piot, who was at the carpet store with me, said it looked like a rug meant for royalty. I definitely agree.

closeup of one of the squares

closeup of one of the squares

A brief history of Kazakh rugs:

Kazakh, originally a tribal name, is now a town, river and district in Azerbaijan. Carpets made by Kazakhs often feature coarse, long pile and dramatic colors and designs (all of which my carpet has in spades). Using Turkish knots, they’re generally made by Turkic nomads who are now settled. Today, lots of new Kazakh carpets are made in Pakistan inspired by old Caucasian designs. They use yarn dyed from natural vegetable dyes.

Detail of my carpet.

Detail of my carpet.

In Pakistan, you can also find Afghan rugs made by refugees who now reside there. During occupation by the Soviet Union between 1979 and 1992, close to one million Afghans fled their homeland and ended up in Pakistan and Iran. Afghan rugs are known to be durable and well made. They reflect the heritage of a cottage-based industry passed on through generations. Different qualities of pile carpets are available including felted wool ones called Namads, flat non-pile woven rugs called Kilims, and pile and knotted ones made from cotton, silk, and wool. It can take six to nine months to make a hand knotted carpet. When you think of it like that, $1500.00 doesn’t seem so high of a price.

You may be wondering how I managed to negotiate my price down to an amount more than 50% less than the original quoted price. The answer is pretty easy. I was completely prepared to leave the store without buying the carpet. The owner played that game where he asked how much I wanted to pay and had me write it down. I did. And then I refused to budge. He tried to cajole and guilt me into agreeing to a higher amount but I just kept saying no. Finally, our little group of four, gathered up our things and started to walk out the door. At this point, he finally said yes to my $1500.00 and the carpet was mine.

I bought my carpet at Afghan Carpet on School Road in Islamabad. If you are ever there, I encourage you to go visit them in person. They have a very large selection and serve some excellent tea. And they’re always up for a good strong negotiator.

My carpet at home in Harlem.

My carpet at home in Harlem.

This isn’t necessarily sewing related but, Afghan Carpet is down the street from one of the world’s largest bookstores (yes, that’s right, in Islamabad) called Saed’s Book Bank. The store is three stories and 42,000 square feet. They display around 200,000 titles and stock more than four million books throughout its five warehouses. You can literally find most anything there. Saed carries Cosmo and Heavy Metal Magazine, as well as books about Islam and Richard Dawkin’s atheist treatise, The God Delusion. You can find books on Catholicism and queer studies, an English translation of the Quran, maps and travel books, and novels by pretty much any English or American author you can think of. The store is a truly fantastic and amazing place to visit, especially when you consider that it sells predominantly books written in English in a country where that is most people’s second language. The New York Times published a wonderful article a few years ago about the store if you’re interested in reading more.

This is also my little way of saying that people are never wholly their governments and places are often not as scary as most media reports would lead you to believe. And there is truth and beauty and wonderful people wherever you travel, if you take the time to look for it.

The Traveling Tailor
by Vanessa Nirode

The Traveling Tailor

Sewing machines and supplies aren’t exactly the most portable things. Sometimes, when I’m not working fulltime on a show, I’ll get a one or two day job that requires me to schlep a machine and supplies to a work space. These are my least favorite kind of jobs – for no other reason than I have to transport my machine and a small kit of sewing supplies somewhere.

I live in New York City. I haven’t owned a car in over ten years.

What’s the big deal, you may ask, just throw it all in your car and go. Well, that’s the thing: I live in New York City. I haven’t owned a car in over ten years. The last time I drove was about two years ago. And I’m not a huge fan of Uber or even good old-fashioned yellow cabs. Cars are just not the most efficient way to get around the city. So, I’m usually dragging a sewing machine up and down the subway stairs to get to where I need to go.

On the go

I know I’ve recommended these machines before, but Brother makes some incredibly good and lightweight machines. I have two SC9500s. They are so lightweight that I carry them in a tote bag on my shoulder. I then use a backpack to carry my supplies: scissors, threads, rulers, chalk, a small collection of notions.

Other Brother machines that are very light weight are the CS5055 and the ES2000.

I also bike a lot, which is always the most efficient way to get around the city, and have been known to strap a machine (in a box) to the rear rack on my bicycle.

When going to a job that is only one or two days, sometimes it’s hard to figure out what to bring, especially if you’re trying to not lug your entire shop down the length of Manhattan and across the bridge to Brooklyn.

Here’s a list of what I usually bring to a short one-day job:

  • 1 pair of tailor’s points or small scissors
  • 1 pair of medium sized shears
  • 1 pair of pinking shears (because I’m certainly not bringing a serger along to finish seams.)
  • 1 gallon sized Ziploc of thread. Must have colors include black, grey, white, tan, a greeny-brown, nude, and a yellow-orange for topstitching on jeans.
  • 12” see through 2” wide ruler
  • 1 soft tape measure
  • Tailor’s chalk, red marking pencil, pencil, black disappearing ink pen
  • Seam ripper
  • Metal hem gauge ruler
  • Small container of straight pins
  • Extra bobbins for machine
  • Small collection of hand and machine needles (I always bring some leather needles and double needles, just in case.)
  • 1 gallon sized Ziploc of bias tape (black and white), elastics, twill tape, and hem tape.
  • Small containers of snaps and hook & eyes.
  • Muslin pressing cloth
  • Small collection of nude spandex and netting scraps and interfacings

Lighting is key

Sometimes it’s nice to bring along a small light of some kind. I often find myself sewing in inadequately lighted spaces. I tend not to bring a lamp because, well, the subway. I always make sure the light in the machine is working. And the flashlight on an iphone can be extremely helpful in especially dark circumstances.

Gear up

I’m not very high tech with my carrying cases but there are lots of really lovely ones out there if you’re not into backpacks and tote bags.

https://www.sewingmachinesplus.com/sewing-accessories-cases.php

The key is to keep everything super organized. And don’t worry about not having all the thread. Unless you’re topstitching, most things can be sewn with black, white, or tan. I know some tailors that only use those colors of thread. It really is ok if your thread doesn’t match exactly. And sometimes you just have to use what you have, especially if you are a traveling tailor.

Shopping in the New York City Garment District
by Vanessa Nirode

Fabric Shopping in the New York City Garment District

Shopping in the New York City Garment DistrictWhen I first moved to NYC a lifetime ago, I worked for very little money as an assistant to a crazy hat designer in the heart of the garment district. The only upside to the job was that I spent a good part of every day out on the streets gathering fabric swatches and button and trim samples. There was another assistant who had been there for almost a year already and she took me around with her and introduced me to all the people and stores. The two of us had a great time digging through bins of buttons, wandering deep into the back corner of NY Elegant Fabrics, and convincing the nice people at Mood to let us into their “secret” warehouse (it really does exist).

I only stayed at that job for about a month, though it felt like a year, and the other assistant (who has since moved back to Korea to head up a fashion company there) and I still keep in touch. I don’t go to the garment district as often as I once did but I do have a list of must visit favorite places.

Mood – 225 West 37th Street

I’ll get this one out of the way first since most people at this point have heard of Mood which lucked into some amazing advertising when it became the fabric store featured on Project Runway. One of the coolest things about Mood is the building its in and the old elevator, still manned by an actual man, that you have to take up to the 3rd floor. Once up there, the rows and rows of fabric reach from floor to ceiling. Things are pretty well organized, the selection is large, and most bolts have swatches already cut and attached to the ends that you can take.

One little note about swatching in most all the stores in New York City: If someone asks if you are a student, say no. They’re asking because most stores have specific hours for student swatching and won’t allow you to do so if its not during those hours.

Also of note: Mood has a public restroom in the back right corner. 😉

NY Elegant – 222 West 40th Street

I love NY Elegant for its selection of light weight cottons, organdies, and batistes. NY Elegant is a family run store and is the last standing fabric store on 40th St. They also get a lot novelty fabrics – fake furs and things with glitter and sparkly threads.

Paron Fabrics – 257 West 39th Street

This is one of my absolute favorite family run fabric stores in the city. Sadly, they closed their doors for good just last month. I’m only including it to remind everyone to try and support their local fabric stores and if, you have the chance, come to NYC and shop in the garment district. You really can find almost any kind of fabric there by visiting the larger stores and just wandering down 39th street and stopping in to the small stores that still remain.

B & J Fabrics – 525 7th Ave #2

B & J is your best bet for high end linens, lace, and silks. The store is extremely well organized and always seems extraordinarily well lit in comparison to other garment stores. They are a little pricier than some of the other stores but the quality of the fabrics they stock is superb.

Lou Lou Buttons – 69 West 38th St

Lou Lou Buttons sells only buttons. They have bins and drawers and barrels full of buttons. They have wood buttons, shell buttons, mother of pearl buttons, and every funky, unique kind of button you could imagine. The people who work there are helpful and friendly and don’t seem to mind if you spend hours looking.

M & J Trimming – 1008 6th Ave

There are a lot of small trim stores in the garment district with beautiful things but M & J has by far the largest selection of trims in the city. And, unlike a lot of the garment district stores, they’re open on Sunday (you know, for those weekend trim emergencies.)

Tinsel Trading – 828 Lexington Ave

Shopping in the New York City Garment DistrictTinsel Trading recently moved out of the garment district to this new location on Lexington. They stock the most amazing unique vintage and new trims you’ll find (unless you’re shopping in India or Southeast Asia). Their stuff is expensive but much of it really is one of a kind. If you like metallic thread, fabrics, and fringes, this is the place to go.

If you’ve never had the chance to shop for fabric in New York City, I encourage you to plan a trip if possible – you won’t regret it. And, if you come during the month of December, you can also go visit the holiday windows at the retail stores along 5th Avenue – Bergdorf’s (always my favorite), Saks, etc.

Scissors, scissors, scissors
by Vanessa Nirode

Scissors, scissors, scissors

Partial scissor collection.I have a bit of a scissor problem, as in, I have a lot of them. I’m not always good about getting them sharpened, or sharpening them myself and often will just order a new pair – which isn’t necessarily very economical but, often, much more fun. This photo is of the scissors that are currently in my shop at Blindspot. It doesn’t include the scissors I have at home or the scissors that are in my sewing kit on the wardrobe truck or the scissors I probably forgot about that are at the bottom of a bag somewhere in a closet.

In New York City, you can have someone come to your shop and sharpen all your scissors with an electric grinder. There’s also a scissor and knife sharpening truck that still trolls the streets of Brooklyn (like the Mr. Softee ice cream truck). I never have any scissors on me when I see the truck though I always want to flag it down. You can, of course, sharpen your own scissors using a sharpening stone but I never seem to get around to doing that.

Most tailors have a favorite pair or a preferred model that they own more than one of.

My absolute best loved are Gingher’s original 5” tailor points, the ones that are actually pointy on the end. For some reason, when Fiskar acquired the Gingher brand, they altered the 5” tailor points. Now they have more rounded blades and a blunter end and are often called ‘craft’ scissors. The pair on the left in the following photo is the oldest pair. See how much narrower and pointier the blades are?

Evolution of Gingher’s 5” tailor points.

Evolution of Gingher’s 5” tailor points.

I do quite a bit of cutting. I never really took to the mat and rotary blade camp though I can understand how it can be an efficient and accurate way to cut. Probably because I started my whole tailoring/pattern making career before cutting mats and rotary blades were prevalent. Or maybe I’m just old. At any rate, my favorite scissors to cut with are Gingher 11” knife edge shears.

Cutting shears.

Cutting shears.

Other scissors that I use on a daily basis are:

Gingher 8” straight blade shears

– For trimming seam allowances, though you can cut with them. I just like a longer blade.

Gingher 7 ½” pinking shears

– I usually pink the hems in men’s suit pants as opposed to serging, mainly because a serged hem will leave a ridge if someone (drycleaner or otherwise) gets over zealous with the hem pressing.

Gingher 6” applique scissors

– I use these when I need to trim something very close the edge, or when I’m cutting around an applique (obvi.)

Gingher 7” straight blade scissors

– I use a pair of these as my paper scissors when patterning.

One of the sacred sewing laws is to never use someone’s fabric scissors to cut anything but fabric. Ever.

One of the sacred sewing laws is to never use someone’s fabric scissors to cut anything but fabric. Ever.

Excuse me… What are you cutting?!

Speaking of paper scissors. One of the sacred sewing laws is to never use someone’s fabric scissors to cut anything but fabric. Ever. The standard response from someone who sews to the question, “Can I borrow your scissors?” is “What are you cutting?”

The reason why is fairly simple: try cutting fabric with a pair of craft or paper scissors and you’ll find your edge looks as if it were chewed off by some sort of extremely hungry wild animal.

Wiss pinking shears.

Wiss pinking shears.

A few years ago, I acquired some old scissors for a mens’ tailor in the city who was retiring. I love this pair of old Wiss pinking shears. Despite the knicks and scratches on the exterior, they still cut very well.

What’s your favorite pair?